9 50 1043 https://musea-archive.univ-angers.fr/files/original/74212c2c154dc95c35fdc1c59427d64d.jpg 3d67dba19abf6b45b9b5850721bc56fa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Crayon de couleur 30 X 50 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anges gardiens Creator An entity primarily responsible for making the resource Bill Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Anges gardiens, Bill, 2001, crayon de couleur, 30 x 50 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H40 https://musea-archive.univ-angers.fr/files/original/cea5540e3dec5827f28e4c9b5c5a1f9d.jpg 00af773fe8f7028a41980364419c8286 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pastel 50 X 30 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Bill Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Bill, 2001, pastel, 50 x 30 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H43 https://musea-archive.univ-angers.fr/files/original/3dce8669973002e5db054b518d2d413a.jpg 71ffae29cd1256ad5092d86c06f9daea Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Crayon de couleur et pastel 30 X 20 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Bill Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Bill, 2001, crayon de couleur et pastel, 30 x 20 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L10 https://musea-archive.univ-angers.fr/files/original/3abc9906a4f44166cc1be46a5a21cc6a.jpg 62d8fffd9907cd4e6d43a62576916bbb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource « La Nietzschéenne », dessin dans L’Assiette au beurre, n° 442 (p. 1242) Creator An entity primarily responsible for making the resource Bing, Henri Date A point or period of time associated with an event in the lifecycle of the resource 1909-09 Source A related resource from which the described resource is derived dessin dans L’Assiette au beurre, n° 442 (p. 1242) Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. « La Nietzschéenne », dessin dans L’Assiette au beurre, n° 442 (p. 1242), Henry Bing, septembre 1909, papier imprimé, Paris, Bibliothèque Marguerite Durand, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX08_H08 https://musea-archive.univ-angers.fr/files/original/34026dfd1741d82295dbd4bb03a5a958.pdf 55ada27a93ec176c77312e73ce025e64 https://musea-archive.univ-angers.fr/files/original/aceeffb2bb57f19bc33120bd5fe6d1f6.jpg 0144f30c5fc3ad81bcac4ee6ab7c2396 https://musea-archive.univ-angers.fr/files/original/12dd260223ce41715a245241e0d629a0.jpg e07ca4bbd4f07ac4f68949cc142d5f8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 12,5 X 8,5 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prophétie. Image commerciale d’une série pour un magasin chinonnais Creator An entity primarily responsible for making the resource Bognard, J. Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Description An account of the resource Recto/Verso Rights Information about rights held in and over the resource Pellegrin, Nicole Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Prophétie. Image commerciale d’une série pour un magasin chinonnais (recto), J. Bognard, date inconnue, papier imprimé, 12,5 x 8,5 (cm), © N. Pellegrin. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H46 https://musea-archive.univ-angers.fr/files/original/2dd86d4df1976464018f3ab7efcfd9cc.jpg 5622355833798c11612fdb41e843af7f Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 28,5 X 19 cm 6 pages Location The location of the interview Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Réflexions sur l'égalité (page 1) Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Centre des Archives du Féminisme Subject The topic of the resource Note Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Réflexions sur l'égalité (page 1), Marie Bonnevial, date inconnue, papier et encre, 28,5 x 19 (cm), 6 pages, Angers, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_H09 Type The nature or genre of the resource Texte Note https://musea-archive.univ-angers.fr/files/original/ad1e00189cc057f21fe6ad31bbf07d68.jpg 8a6cf5e5239442084d81f220f4a8cf91 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 22 X 13,6 cm Location The location of the interview Bibliothèque Marguerite Durand, Paris Transcription1 Ma chère… j’allais encore dire « Directrice » Mettons amie si vous le voulez bien L’Action ne nous gâte pas comme annonce de notre réunion. J’espère qu’elle nous dédommagera demain. Nous sommes pauvres comme Job – ce qui ne nous change pas et nous n’avons pas d’affiches. Si donc la presse républicaine ne nous aide pas, c’est un jour noir qui nous attendrait. Ce serait tout à fait fâcheux pour la caisse, mais j’en serai surtout navrée pour notre cher président qui attirera certainement… pourvu qu’on soit averti. Nous voulons pour étendre la propagande, envoyer à nos adhérentes les journaux féministes qui rendent compte de nos réunions. Maria Martin nous facilite les choses quant au lieu. Ne puis-je par annonces [dire] que La Fronde est toute disposée aussi à nous aider ? Je serais très heureuse de l’affirmer. A défaut de réponse, j’en exprimerai au moins l’espoir. Agréez, chère Madame, l’assurance de mon meilleur souvenir, Marie Bonnevial. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre à Marguerite Durand Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource 1903 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre à Marguerite Durand, Marie Bonnevial, 1903, papier et encre, 22 x 13,6 (cm), Paris, Bibliothèque Marguerite Durand, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_H11 Type The nature or genre of the resource Texte Lettre https://musea-archive.univ-angers.fr/files/original/8770c0ba9b8bbb0ce85d5b9f23ba75fc.pdf 3bbd3e9c01e510d1f30b69928845b742 https://musea-archive.univ-angers.fr/files/original/b34faff8bc3f9216de5ef122ad9a8336.jpg 6202262c92f6e066c99160e546b6085a https://musea-archive.univ-angers.fr/files/original/c993073e2d9998e1e2f13862a551a6a3.jpg 3fd7c0645e1eabf479327cd0acb0cc9b https://musea-archive.univ-angers.fr/files/original/fb2245f2bd7a6537d92c66523abddcb8.jpg 7323dabd8d5359bce2e82abb2d328c72 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 29,5 X 19,5 Location The location of the interview Angers Transcription1 PAGE 1 : Ma bonne amie, Vous me demandez mes conseils pour la tenue des votre ( ?) en classe de vos petites élèves. Je vous transmettrai avec plaisir les leçons que j’ai reçues de l’expérience mais il faut avant tout ranimer votre courage et ne pas vous laisser abattre au premier échec : ne vous dites jamais, je ne réussirai point, je n’arriverai point à ce but : rien n’est impossible à une volonté ferme et ce mot doit être banni du dictionnaire de l’institutrice zélée. Vos élèves, dites-vous, sont étourdies, distraites et sans énergie à la leçon ; et de tout cela, déchargeant tranquillement votre conscience vous en accusez leur caractère ou leur mauvaise volonté. Sans doute les élèves sont coupables mais le sont-elles seules et les premières ? N’y a-t-il pas un peu de négligence du côté de la maîtresse ? C’est ce qu’il nous faut examiner et ce qui nous fera peut-être trouver un remède à la surexcitation des unes et à l’indolence/insouciance des autres. Et d’abord apportez-vous à la leçon tout l’entrain qui doit l’animer ? Comment l’esprit apathique du professeur sortira-t-il de cet engourdissement à une leçon où rien n’éveille son imagination où la PAGE 2 : maîtresse elle-même ne paraît point animée des sentiments qu’elle réclame de ses élèves ? Donnez donc à votre leçon un air de fête qui fera trouver au travail le plaisir du jeu sans cependant en faire un amusement, car les imaginations vives et exaltées y trouveraient leur compte et distrairaient leurs compagnes. Mais animez-la par des récits intéressants, qui seront en même temps utile [sic] au développement intellectuel. (…) Mais surtout gardez-vous de leur donner des travaux au dessus de leur portée qui fatigueraient bientôt leur esprit, l’esprit est comme un arc, si on le tend trop on le rompt. Habituez les élèves à parler beaucoup et bien, en leur posant de nombreuses questions et corrigeant s’il y a lieu leur mauvaise diction. Donnez enfin à la leçon un caractère dramatique si l’on peut dire. Tout être pensant aime à recevoir satisfaction pour ses bonnes actions, et les enfants surtout à cause de la faiblesse de leur PAGE 3 : raison. Montrez-vous donc joyeuse et satisfaite toutes les fois que vos élèves auront bien répondu, et donnez à un travail bien fait vos encouragements pour soutenir leur bonne conduite. Veillez surtout à ce que l’ordre et la discipline règnent dans la classe et que votre regard embrasse l’ensemble comme il doit pénétrer chaque élève en particulier. Donnez quelques instants à la méditation de mes avis et tachez de les mettre à profit. Vous verrez alors nos petites étourdies devenir attentives et toutes être actives à la leçon et faire de très bonnes élèves. Vous-même encouragée par leur bonne volonté, éclairée de plus en plus par votre propre expérience, vous acquerrez chaque jour une nouvelle qualité, vous deviendrez ainsi une excellente maîtresse et vous trouverez de plus en plus de charme à l’enseignement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre d’une ancienne institutrice à une débutante Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource 1910 Rights Information about rights held in and over the resource Centre des Archives du Féminisme Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre d’une ancienne institutrice à une débutante, Marie Bonnevial, 1910, papier et encre, 29,5 x 19,5 (cm), Angers, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_I01 Type The nature or genre of the resource Texte Lettre https://musea-archive.univ-angers.fr/files/original/5fd3420e7ae156f5effedb9421ed234f.pdf 4286ac7144d8d8d6fac8252c63b27ff2 https://musea-archive.univ-angers.fr/files/original/3ffa7cf057295ec08ce4ee6232a1dc48.jpg 09fa1944c8e421039066f4e87f515fad https://musea-archive.univ-angers.fr/files/original/e67dff752accca240dcff243eaa79ffc.jpg e06e85e4b25e10089eac8eac3fb16d1d https://musea-archive.univ-angers.fr/files/original/4020a35b5eb213ada842253062e23a06.jpg 76b6a0c1106b65af10368a9aa790b1be https://musea-archive.univ-angers.fr/files/original/cab2163e7702e315890f92409b4341f6.jpg 525706ca0af5b1a20aeb33706f71b34f https://musea-archive.univ-angers.fr/files/original/4e3eda62b701baafe83b2717775a7dd4.jpg 49415ebe6e0ce670a81245afd4ef98b3 https://musea-archive.univ-angers.fr/files/original/2d678ce61a63881dd60d03f66ca9c099.jpg a09322517e233221c80e88fe5dfce9b8 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 28,5 X 19 cm 6 pages Location The location of the interview Angers Transcription1 PAGE 1 : « Égalité Tous les Français sont égaux devant la loi » Vérité paraît banale tant elle est naturelle. En effet, solidarité, impuissance des hommes isolés, Ce besoin les uns des autres, base de leur égalité. Existe d’homme à homme, non d’homme à femme Pourtant, Egalité de droits entre hommes basée, non sur une complète similitude de facultés physiques ou intellectuelles ; Mais sur l’équivalence des services rendus. Ce qui se dit de l’homme en particulier, peut-il se dire de l’être humain en général ? Si vraiment dans la variété humaine, la femme reçoit plus de services qu’elle n’en rend, l’inégalité de droits est justice, mais, si les services rendus valent les services reçus droits égaux nécessaire [sic]. Or qui oserait dire que la mission de la femme est moins grande, moins utile que celle de l’homme ? Ici, non la femme dans l’avenir ; non au point de vue de ce qu’elle pourrait apporter de forces nouvelles à la société ou dans l’état mais simplement dans la famille. Soins, éducation des enfants, souvent travail aussi long, aussi pénible que le mari, ajouté à ces occupations ; administration du ménage et ces mille [illisible] ; Ces soins de tous les instants pour le père, pliant sous le poids de la fatigue ou du souci, En un mot, il y a au moins égalité de charges et de services. L’égalité de devoirs appelle l’égalité de droits : Pas de devoirs sans droits, pas de droits sans devoirs. PAGE 2 : « Division Dans notre revendication pour la femme nous la considérons comme personne humaine, comme membre du corps social, comme citoyenne. Et à tous ces points de vue, nous devons avoir l’appui des travailleurs car notre cause est la leur, leurs intérêts sont les nôtres. Instruction : Artisan, industriel, savant ou artiste, instruction nécessaire non seulement à la satisfaction personnelle ; mais, industrie, science, et arts bénéficiant de la supériorité de l’ouvrier : et la femme compagne de l’homme, éducation des enfants, ne recevrait pas cette instruction ? Egalité dans le bien-être – Femme recevant à travail égal salaire dérisoire. Code Inégalités de fortune, de facultés, de force physique disparaissent derrière la loi pour l’homme – femme assimilée aux interdits et aux fous Annihilée comme pers. politique Réserves sur cette question vu l’ignorance actuelle de la femme Ce n’est donc qu’au point de vue intellectuel et civil que nous revendiquons pour la femme l’égalité. PAGE 3 : « Egalité intellectuelle La femme y a-t-elle droit, lui est-elle utile, la demande-t-elle ? Le juste toujours utile, l’utile toujours juste. En effet comme fille, études élémentaires, activité Femme retenir au foyer le père de ses enfants : mère institutrice […] Mais j’ai surtout le droit de vous demander, Messieurs, sur quelles expériences vous basez vos opinions Deux graines semblables ; différence de culture ; différence de résultat. D’ailleurs, plus l’esprit de la femme serait différent de celui de l’homme plus il aurait besoin de l’instruction qui bien dirigée corrige l’inégalité des facultés au lieu de la fortifier comme les bonnes lois remédient à l’inégalité naturelle des moyens de subsistance. Pour moi, je crois assez volontiers à cette inégalité ; c’est à dire égalité synonyme d’équivalence, non de similitude, et je n’en demande pas moins l’éducation égale, car dit Legouvé, de même que d’aliments semblables l’homme et la femme tirent pour de les assimiler les substances qui lui viennent à leur nature particulière de même ils ne profiteront pas de la même manière d’une leçon dont ils profiteront tous deux. » Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Réflexions sur l’égalité Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Centre des Archives du Féminisme Subject The topic of the resource Note Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Réflexions sur l’égalité, Marie Bonnevial, date inconnue, papier et encre, 28,5 x 19 (cm), 6 pages, Angers, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_J01 Type The nature or genre of the resource Texte Note https://musea-archive.univ-angers.fr/files/original/73ee1aa893a7133fc56d11d6a8487c24.jpg 8a6cf5e5239442084d81f220f4a8cf91 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 22 X 13,6 cm Location The location of the interview Bibliothèque Marguerite Durand, Paris Transcription1 Ma chère… j’allais encore dire « Directrice » Mettons amie si vous le voulez bien L’Action ne nous gâte pas comme annonce de notre réunion. J’espère qu’elle nous dédommagera demain. Nous sommes pauvres comme Job – ce qui ne nous change pas et nous n’avons pas d’affiches. Si donc la presse républicaine ne nous aide pas, c’est un jour noir qui nous attendrait. Ce serait tout à fait fâcheux pour la caisse, mais j’en serai surtout navrée pour notre cher président qui attirera certainement… pourvu qu’on soit averti. Nous voulons pour étendre la propagande, envoyer à nos adhérentes les journaux féministes qui rendent compte de nos réunions. Maria Martin nous facilite les choses quant au lieu. Ne puis-je par annonces [dire] que La Fronde est toute disposée aussi à nous aider ? Je serais très heureuse de l’affirmer. A défaut de réponse, j’en exprimerai au moins l’espoir. Agréez, chère Madame, l’assurance de mon meilleur souvenir, Marie Bonnevial. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre à Marguerite Durand Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource 1903 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre à Marguerite Durand, Marie Bonnevial, 1903, papier et encre, 22 x 13,6 (cm), Paris, Bibliothèque Marguerite Durand, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_L01 Type The nature or genre of the resource Texte Lettre https://musea-archive.univ-angers.fr/files/original/e18ef9f628571a31e96b04f5082326b9.jpg 33702a13b29ce44d78806535fa136e4a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 29,5 X 19,5 Location The location of the interview Centre des archives du féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre d’une ancienne institutrice à une débutante (page 1) Creator An entity primarily responsible for making the resource Bonnevial, Marie Date A point or period of time associated with an event in the lifecycle of the resource 1910 Rights Information about rights held in and over the resource Centre des Archives du Féminisme Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre d’une ancienne institutrice à une débutante (page 1), Marie Bonnevial, 1910, papier et encre, 29,5 x 19,5 (cm), Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_L07 Type The nature or genre of the resource Texte Lettre https://musea-archive.univ-angers.fr/files/original/836af99c33c1193e9aa97455f17a28ab.mp3 7d21ab2d44277b432dd96ab19d087b94 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio 4'29 (1,80 Mo) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les différentes catégories de députés européens Creator An entity primarily responsible for making the resource Bourlanges, Jean-Louis Date A point or period of time associated with an event in the lifecycle of the resource 2004-12 Rights Information about rights held in and over the resource Denéchère, Yves MUSEA, Université d'Angers Type The nature or genre of the resource Audio Subject The topic of the resource Archives orales Format The file format, physical medium, or dimensions of the resource audio/mpeg Abstract A summary of the resource. Les différentes catégories de députés européens, Jean-Louis Bourlanges, décembre 2004, 4'29 (1,80 Mo), © Yves Denéchère, Musea, Université d'Angers.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX12_H35 Archives orales https://musea-archive.univ-angers.fr/files/original/9850a39b67b3acf27100a7220810710d.mp3 19c6a6095a4b5061e0ab4e533afec940 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio 3'15 (1,30 Mo) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les femmes : de 'vraies' députées européennes Creator An entity primarily responsible for making the resource Bourlanges, Jean-Louis Date A point or period of time associated with an event in the lifecycle of the resource 2004-12 Rights Information about rights held in and over the resource Denéchère, Yves MUSEA, Université d'Angers Type The nature or genre of the resource Audio Subject The topic of the resource Archives orales Format The file format, physical medium, or dimensions of the resource audio/mpeg Abstract A summary of the resource. Les femmes : de 'vraies' députées européennes, Jean-Louis Bourlanges, décembre 2004, 3'15 (1,30 Mo), © Yves Denéchère, Musea, Université d'Angers. Identifier An unambiguous reference to the resource within a given context MUSEA_EX12_H36 Archives orales https://musea-archive.univ-angers.fr/files/original/a2b67269fdd8b9ae71ffb1c2db728c98.jpg dfb7755d421a0426a3f47d0a2deebab0 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Article Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'entrée des femmes dans les partis politiques Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1924-11-15 Source A related resource from which the described resource is derived La Française Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Texte Subject The topic of the resource Article Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L'entrée des femmes dans les partis politiques, Cécile Brunschvicg, in La Française, 15 novembre 1924, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_H06 Article https://musea-archive.univ-angers.fr/files/original/844912a3884bf169c5861c324bf9d6f0.jpg 713af5476276821a442d2a95e699d31a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lettre Papier et encre Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre dactylographiée de Cécile Brunschvicg à Justin Godart Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1933-10-10 Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre dactylographiée à Justin Godart, Cécile Brunschvicg, 10 octobre 1933, papier et encre, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_H07 Lettre https://musea-archive.univ-angers.fr/files/original/73bab7148ac307334915801db055fd77.jpg bf8c4f0809cbe98771d2ecb154afb159 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Note Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes de travail dactylographiées de Cécile Brunschvicg Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1936 Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Texte Subject The topic of the resource Note Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Notes de travail dactylographiées, Cécile Brunschvicg, 1936, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_H09 Note https://musea-archive.univ-angers.fr/files/original/1a0267704b96b79b71e1339f1c5fdd82.jpg 7f612374b8a91bf3dfeb2ec83a57f205 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier et encre Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre dactylographiée de Cécile Brunschvicg à Mme Henri Guilhot Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1930-12-27 Rights Information about rights held in and over the resource CAF Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre dactylographiée à Mme Henri Guilhot, Cécile Brunschvicg, 27 décembre 1930, papier et encre, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_H13 Lettre https://musea-archive.univ-angers.fr/files/original/e11b41808e16b455e6292879ff75d3ef.jpg 50ed314303e1fe559973a8174fe25dfd Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier et encre Location The location of the interview Centre des Archives du Féminisme, Angers Transcription1 PAGE 1 : « Femmes de la campagne, c’est à vous que je m’adresse aujourd’hui, car trop souvent les hommes nous disent à nous, femmes de la ville qui voulons voter, que vous, paysannes, vous ne le voulez pas, que la question ne vous intéresse pas. Eh bien, nous sommes sûres qu’ils se trompent et que si certaines d’entre vous ne réclament pas plus énergiquement ce droit c’est que vous êtes comme les femmes des villes très occupées par votre double devoir de travailleuses et de ménagères ; mais qu’au fond de vous-même, vous savez bien qu’il est à la fois juste et utile que vous votiez. C’est juste, parce que vous payez comme l’homme vos impôts, que vous êtes comme lui soumises aux lois. Or, la République a reconnu à tous les citoyens le droit de contrôler les lois qu’ils subissent et les impôts qu’ils paient. Puisque nous, femmes, nous n’échappons ni aux lois ni aux impôts, nous sommes des citoyens et nous avons droit au bulletin de vote. PAGE 2 : […] La politique ce n’est pas, croyez-le, de faire des discours ni d’aller écouter un beau parleur, mais c’est de choisir ceux et plus tard celles qui sauront le mieux défendre nos intérêts familiaux et sociaux en même temps que les intérêts du Pays. Croyez vous que la loi actuelle soit parfaite pour les femmes ? Trouvez vous juste que la femme mariée n’ait aucun droit d’agir sans l’autorisation de son mari ? Quand le ménage va bien, cela n’a pas d’importance ; mais il n’y a pas que de bons ménages et alors n’est ce pas cruellement injuste que la femme ne puisse disposer ni d’elle-même, ni de son bien. Pire encore, le mari peut disposer des enfants, les envoyer au loin dans une maison de correction, décider tout pour eux sans que la mère ait son mot à dire. Dans les Pays où les femmes votent, il y a aujourd’hui plus de 150 millions de femmes qui ont obtenu ce droit, je vous assure qu’il n’en est plus ainsi. Le Père et la Mère ont les mêmes droits : en cas de dissentiment, c’est un juge dit de famille qui décide selon l’intérêt de l’enfant pour savoir qui a raison. Et puis, sans même chercher à faire tout de suite des lois, ne pensez vous pas que dans votre commune vous auriez votre mot à dire pour tout ce qui concerne l’organisation des lavoirs, l’aménagement des halles et des marchés, la propreté et l’aération des écoles. Ne pensez vous pas que si vous étiez conseillères municipales ou même simplement électrices il y aurait des consultations de nourrissons pour guider les mamans inexpérimentées ; des garderies d’enfants pour que les travailleuses mettent leurs bébés à l’abri ? Et puis, ne vous arrangeriez-vous pas à avoir de l’eau potable, de la force électrique pour faciliter vos travaux domestiques ? Ne feriez-vous pas faire aussi des logements sains, car vous, vous le savez bien, si vous avez tant de mal à vous faire aider à la campagne, c’est que les travailleurs et les travailleuses ne veulent plus coucher dans l’étable avec les bêtes ? Dans la plupart des villages, les logements sont insuffisants et mal aérés, pas assez hygiéniques, vous y gagnez trop souvent vous-mêmes la tuberculose, alors qu’à la campagne, il serait si facile de laisser entrer l’air et le soleil. Enfin, il y a encore deux grandes questions dont dépendent la santé et le bonheur de vos enfants. Il faut, femmes et mères, que vous nous aidiez à lutter contre l’alcool qui fait du mal à l’homme et qui ruine avant la naissance la santé et l’intelligence de vos petits. Il faut que vous ayez le bulletin de vote pour soutenir avec nous ceux qui font une politique de paix. Il ne faut plus que nos maris s’en aillent ; il ne faut plus que nous peinions à élever des enfants pour les voir ensuite mourir à vingt ans. […] Femmes françaises, dans les trois quarts du monde civilisé, les femmes et les hommes ont les mêmes droits. Nous ne sommes inférieures ni aux Allemandes, ni aux Anglaises, ni aux Finlandaises, ni aux Américaines ; joignez vous à nous, écrivez nous à Paris, à l’Union Française pour le suffrage des femmes, 53 rue Scheffer, pour nous dire que nous pouvons compter sur vous et votre concours nous donnera plus d’énergie et plus de force pour triompher. » Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscrit de conférence Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Texte Subject The topic of the resource Texte manuscrit Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Manuscrit de conférence, Cécile Brunschvicg, date inconnue, papier et encre, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_A01 Texte manuscrit https://musea-archive.univ-angers.fr/files/original/b68db0c6f6997f3e555f9d386e553e53.jpg 3b556642f6e1627d545dc3723f028813 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Médiation pour le 11 novembre : comment maintenir la paix? Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1937 Source A related resource from which the described resource is derived La Française Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Texte Subject The topic of the resource Article Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Médiation pour le 11 novembre : comment maintenir la paix?, Cécile Brunschvicg, La Française 1937, papier imprimé, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_L07 Article https://musea-archive.univ-angers.fr/files/original/f8bb0f858a697fcbd91e9bb880b21eee.jpg ebbf1dcd3bd64aba1d82ebcdd39a5899 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les jours de la Libération. Valence Creator An entity primarily responsible for making the resource Brunschvicg, Cécile Date A point or period of time associated with an event in the lifecycle of the resource 1944 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Texte Subject The topic of the resource Texte manuscrit Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Les jours de la Libération. Valence, Cécile Brunschvicg, 1944, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX14_L10 Texte manuscrit https://musea-archive.univ-angers.fr/files/original/6b9cf0a069797eb26cf2f112c11e0960.jpg e77c1fbacbfc792d8f8d832025a22d0b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrylique 50 X 30 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’homme idéal Creator An entity primarily responsible for making the resource C., M. Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’homme idéal, C.M., 2003, acrylique, 50 x 30 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H01 Peinture https://musea-archive.univ-angers.fr/files/original/98a8d4018fecea7f73253dad3cbb317f.jpg f3bf1021d783691b5f19725701fbf806 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrylique 80 X 60 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'automate Creator An entity primarily responsible for making the resource Cadeau, P. Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L'automate, P. Cadeau, 2001, acrylique, 80 x 60 (cm), collection particulière, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H33 Peinture https://musea-archive.univ-angers.fr/files/original/6cef6d22366a2e26fe6392a35dbdcb2d.jpg ceb1b9b8c74f0ce6f69c5f0b460fa835 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile 50 X 40 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gustave Creator An entity primarily responsible for making the resource Cadeau, P. Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Gustave, P. Cadeau, 2002, huile, 50 x 40 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H35 Peinture https://musea-archive.univ-angers.fr/files/original/863a462f9c752b995129b5b6d88ee02c.jpg 7de248531bde3678d00df180fbf64b71 https://musea-archive.univ-angers.fr/files/original/3e2b6113c50d8f8f31050adb1d8eeb39.jpg 6b26b65449dfde412d47a686453d6739 https://musea-archive.univ-angers.fr/files/original/0cbd401140bcd2eb7dbdd76a212bbe6d.pdf 3ba3fae7208daac7abf53c94b001d03b Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data papier imprimé Location The location of the interview Bibliothèque Marguerite Durand, Paris Transcription1 PAGE 1 : Qu’il me soit permis, tout d’abord, de regretter que le cadre et les allures de notre cher journal ne me permette point de développer comme je le voudrais cette curieuse physionomie qu’est Marie Bonnevial, rédacteur à la Fronde. Il faut que je vous confie, lecteurs, qu’une première biographie me fut refusée par l’ami Duvivier comme n’étant point dans la note du journal ; elle était, comment dirais-je… trop révolutionnaire ; il avait ma foi raison. Je vais donc m’arranger à ne point encourir le même reproche, seulement voilà ! Marie Bonnevial est un tel tempérament combatif qu’en restant un peu « guimauve » je risque fort de ne pas la faire connaître sous son véritable jour. Bien ou mal, je tiens à la présenter à nos lecteurs, car elle manquerait à notre « galerie des Lyonnais » si elle n’y figurait. Mlle Marie Bonnevial quitta Lyon très jeune, après avoir couru l’Europe et notamment habité Constantinople. Elle revint à Lyon, d’où elle alla peu après se fixer à Paris où elle s’adonna à l’enseignement. Plusieurs fois rejetée de son sein par des ministres modérés, elle finit par y rester définitivement et y consacre encore la meilleure partie de son temps. A la fondation de la Fronde ses connaissances approfondies du monde ouvrier et en sociologie lui firent confier par Marguerite Durand la « tribune du travail » où depuis cinq ans elle écrit au jour le jour l’histoire du prolétariat en marche. Au point de vue féministe et syndical, Marie Bonnevial occupe une des premières places. C’est sûrement elle qui a le plus contribué au développement des syndicats féminins. D’une activité dévorante, nous la retrouvons dans la même soirée à la bourse du travail, dans plusieurs syndicats, dans une réunion publique, à La Fronde etc… et ce n’est que vers minuit que j’ai pu moi même l’aborder dans le grand hall fleuri de son journal, encombré de délégations féministes. Elle voulut bien m’accorder un interview que je regrette de ne pouvoir reproduire ici, car sa parole est très écoutée dans le monde ouvrier qu’elle connaît à … PAGE 2 : fond. Marie Bonnevial est trop connue pour qu’il soit nécessaire d’insister sur ses opinions socialistes évolutionnistes. Elle est très en cours au ministère du Commerce, elle est membre de toutes les ligues et comités les plus avancés de Paris. Quoi que n’écrivant que de courtes notes quotidiennes, son influence, nous le répétons, aura été plus considérable que celle de bon nombre d’écrivains, parce qu’elle a un très réel talent d’improvisation. Quand elle parle, c’est toujours avec enthousiasme, elle se donne entièrement ; mais cette fougue n’empêche pas la réflexion et les sages conseils qu’elle sait donner à propos, évitèrent souvent des désagréments aux agents de M. Lépine qui, en bon compatriote, la ménage. Ses lundis, seuls jours qu’elle consacre à ses amis en son petit appartement de l’avenue de Clichy sont forts suivis. On y est toujours sûr d’y recevoir un accueil cordial et d’y coudoyer des gens intelligents qui ne partagent pas toujours ses opinions. Toutes les questions y sont tour à tour abordées et discutées et quand on en sort, on est émerveillé de la quantité d’idées agitées, d’aperçus nouveaux qui ont soudain jailli de ces conversations rapides. Vous auriez tort, lecteurs, de croire que seul le monde politique fréquente chez Marie Bonnevial ; on y rencontre de fins littérateurs, des spirites à la mode et des femmes presque aussi aimables que la « citoyenne » (C’est une appellation à laquelle elle tient). Mlle Marie Bonnevial fait gentîment les honneurs de son home, très 1793, et c’est toujours avec regret que l’on quitte ce toit hospitalier. Par sa franchise et la droiture de ses attaques souvent violentes, mais jamais acerbes, elle honore notre profession et occupe une place honorable à côté de cette pléiade de journalistes lyonnais qui va de Cornély à F.I. Mouthon en passant par Etienne Charles, Schneider, Bertnay et plusieurs autres. CANDAULE. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les Lyonnais de Paris – Marie Bonnevial, article dans Le tout Lyon Creator An entity primarily responsible for making the resource Candaule Date A point or period of time associated with an event in the lifecycle of the resource 1902-04 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Subject The topic of the resource Article Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Les Lyonnais de Paris – Marie Bonnevial, article dans Le tout Lyon, Candaule, avril 1902, papier imprimé, Paris, Bibliothèque Marguerite Durand, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX02_M01 Type The nature or genre of the resource Texte Article https://musea-archive.univ-angers.fr/files/original/d9563be8b95845d3c2b71a24e099b475.pdf 28761f0f7bd4d8c0083ced78246d165f Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource « Lyautey et Isabelle Eberhardt » dans Temps Creator An entity primarily responsible for making the resource Célarié, Henriette Date A point or period of time associated with an event in the lifecycle of the resource 1934-08 Source A related resource from which the described resource is derived Temps Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Texte Format The file format, physical medium, or dimensions of the resource application/pdf Abstract A summary of the resource. « Lyautey et Isabelle Eberhardt », Temps, Henriette Célarié, août 1934, PDF (251 Ko), Paris, Bibliothèque Marguerite Durand, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX07_G01 https://musea-archive.univ-angers.fr/files/original/fc6a97e640889c0069ba3e469d34c636.jpg 943b94b7d9fdeb2130470577a0e100ee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Je ne voudrais pas épouser, dessin paru dans Le Charivari Creator An entity primarily responsible for making the resource Cham Date A point or period of time associated with an event in the lifecycle of the resource 1851-10 Description An account of the resource reproduit dans John Grand-Carteret, La Femme en culotte, 1899 Source A related resource from which the described resource is derived dessin paru dans Le Charivari Rights Information about rights held in and over the resource Collection particulière Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Je ne voudrais pas épouser, dessin paru dans Le Charivari (reproduit dans John Grand-Carteret, La Femme en culotte, 1899), Cham, octobre 1851, papier imprimé, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX08_H09 https://musea-archive.univ-angers.fr/files/original/cb2626cea567b76f5727cf097c6fa4d7.jpg 1dcb302ea81e3c2bdd0bcd810ce555d1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricature dans le Charivari, reproduit dans John Grand-Carteret, La Femme en culotte Creator An entity primarily responsible for making the resource Cham Date A point or period of time associated with an event in the lifecycle of the resource 1851 Description An account of the resource reproduit dans John Grand-Carteret, La Femme en culotte, 1899 Source A related resource from which the described resource is derived Charivari Rights Information about rights held in and over the resource Collection particulière Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Caricature dans le Charivari, reproduit dans John Grand-Carteret, La Femme en culotte, 1899, Cham, 1851, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX08_H20 https://musea-archive.univ-angers.fr/files/original/b92aee0d7fa0d2028ce352c86254a645.pdf 8a60600c72e213c7a7ee5bb1ef67d177 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Location The location of the interview Bibliothèque municipale, Poitiers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert d’Arbrissel ou l’Institut de l’ordre de Font-Evraud (page 121 et 122) Creator An entity primarily responsible for making the resource Chaudeau, François Date A point or period of time associated with an event in the lifecycle of the resource 1779 Rights Information about rights held in and over the resource Bibliothèque Municipale de Poitiers Type The nature or genre of the resource Texte Subject The topic of the resource Texte imprimé Format The file format, physical medium, or dimensions of the resource application/pdf Abstract A summary of the resource. Robert d’Arbrissel ou l’Institut de l’ordre de Font-Evraud (page 121 et 122), François Chaudeau, 1779, Poitiers, Bibliothèque Municipale. Identifier An unambiguous reference to the resource within a given context MUSEA_EX10_Z01 Texte imprimé https://musea-archive.univ-angers.fr/files/original/a05a58732ad46c937d246c455ff078c7.jpg 4c04faba9d1316a75a67446fab106600 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Affiche 80 X 77 cm Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hors de France alcool maudit! Creator An entity primarily responsible for making the resource Chavannaz, B. Union des Françaises contre l'alcool Date A point or period of time associated with an event in the lifecycle of the resource 1918 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Image Subject The topic of the resource Affiche Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Hors de France alcool maudit!, B. Chavannaz, Union des Françaises contre l'alcool, 1918, 80 cm x 177 cm, Paris, BMD, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX13_H21 https://musea-archive.univ-angers.fr/files/original/ee0611131705b1f01cae54b60c66192c.jpg df425f3f7d9d38a466f47b8e58cdacce Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Couvertures du roman de Victor Margueritte, ‘La Garçonne’ Creator An entity primarily responsible for making the resource Chimot, Edouard Date A point or period of time associated with an event in the lifecycle of the resource 1939 Source A related resource from which the described resource is derived Victor Margueritte, ‘La Garçonne’, Flammarion, collection « L’Amour » (4,50 francs), tome I et II Rights Information about rights held in and over the resource Flammarion Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Couvertures du roman de Victor Margueritte, ‘La Garçonne’, Flammarion, collection « L’Amour » (4,50 francs), tome I et II, Edouard Chimot, 1939, © Flammarion. Identifier An unambiguous reference to the resource within a given context MUSEA_EX08_L12 https://musea-archive.univ-angers.fr/files/original/88eff6a0ff4407260a81e236d18a716f.jpg abe9fa945dfe41d991c37e643f4598e3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Affiche Location The location of the interview Centre d'archives socialistes, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La femme est l’avenir de l’Europe Creator An entity primarily responsible for making the resource Cieslewicz, Roman Date A point or period of time associated with an event in the lifecycle of the resource 1979 Rights Information about rights held in and over the resource Société des Auteurs dans les Arts Graphiques et Plastiques Centre d'archives socialistes Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La femme est l’avenir de l’Europe, Roman Cieslewicz, 1979, affiche, Paris, Centre d’Archives Socialistes, © ADAGP, Centre d’Archives Socialistes. Identifier An unambiguous reference to the resource within a given context MUSEA_EX12_L04 https://musea-archive.univ-angers.fr/files/original/14d6011b4a5a69ed858d8ed6e45d5278.jpg 6df290acf07eeb4b8a9e47d5307cbe00 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manifestation à Marseille Creator An entity primarily responsible for making the resource Ciot, Pierre Date A point or period of time associated with an event in the lifecycle of the resource 1981-10-21 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Manifestation à Marseille, Pierre Ciot, 21 octobre 1981, photographie noir et blanc, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_H10 https://musea-archive.univ-angers.fr/files/original/c938b62e353fa592068ac9abdbcb06d0.jpg d7a5adcbd4a67442793a4032a2805be4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manifestation à Marseille Creator An entity primarily responsible for making the resource Ciot, Pierre Date A point or period of time associated with an event in the lifecycle of the resource 1981-05-01 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Manifestation à Marseille, Pierre Ciot, 1er mai 1981, photographie noir et blanc, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_H11 https://musea-archive.univ-angers.fr/files/original/f01f4c60bb8a348908ea4babc7771880.jpg ef706eba165dafae925a26b33905545d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les jeunes de Marseille lors de l’arrivée à Paris Creator An entity primarily responsible for making the resource Ciot, Pierre Date A point or period of time associated with an event in the lifecycle of the resource 1983-12-03 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Les jeunes de Marseille lors de l’arrivée à Paris, Pierre Ciot, 3 décembre 1983, photographie noir et blanc, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_L08 https://musea-archive.univ-angers.fr/files/original/40463c0f5e5a3dc6fa0d6a988ba967ca.jpg 2edd9cc1aa45b26c647c2764d2dfd563 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Techniques mixtes 50 X 30 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les écritures Creator An entity primarily responsible for making the resource Clarisse Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Les écritures, Clarisse, 2003, techniques mixtes, 50 x 30 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H10 Peinture https://musea-archive.univ-angers.fr/files/original/076abbd8d5fb7161735e6486a39cb10e.jpg 8ea1046871b210cd96fe6beade643c52 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pastel 30 X 20 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Un homme en colère Creator An entity primarily responsible for making the resource Clémence Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Un homme en colère, Clémence, 2003, pastel, 30 x 20 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H29 https://musea-archive.univ-angers.fr/files/original/77bc920f0b68f26e5c85874cba55fb09.jpg 09abe3df650c648d53359040cc87ec32 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Journal Location The location of the interview Action catholique des femmes, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Page des jeunes Creator An entity primarily responsible for making the resource Collectif Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Action catholique des femmes Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Page des jeunes, collectif, 1925 0, journal, Paris, Archives de l'Action catholique des femmes, © Action catholique des femmes. Identifier An unambiguous reference to the resource within a given context MUSEA_EX18_H34 https://musea-archive.univ-angers.fr/files/original/68c3040d0b776fb5fe8e299604bb71b8.jpg 9b04c7dadf413590a3841d296c0c180b Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Journal Location The location of the interview Action catholique des femmes, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Servir Creator An entity primarily responsible for making the resource Collectif Date A point or period of time associated with an event in the lifecycle of the resource 1926 Rights Information about rights held in and over the resource Action catholique des femmes Type The nature or genre of the resource Texte Subject The topic of the resource Article Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Servir, collectif, 1926, journal, Paris, Archives de l'Action catholique des femmes, © Action catholique des femmes. Identifier An unambiguous reference to the resource within a given context MUSEA_EX18_H35 Article https://musea-archive.univ-angers.fr/files/original/41fe952735c43f135addde6a5ba6f202.JPG e0e01ebdba4fdc59e96d4a0f85c7a942 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Enquête sur le travail à domicile dans l'industrie de la lingerie Creator An entity primarily responsible for making the resource Collectif Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Texte Subject The topic of the resource Budget Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Enquête sur le travail à domicile dans l'industrie de la lingerie, collectif, 1907, Paris, BMD, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX17_H09 Budget https://musea-archive.univ-angers.fr/files/original/a3e07aef0cff4b0f1b241ab27d0bf58b.jpg 0d6d6dd5e58d5dbacdb09ddbc68330b7 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Enquête sur le travail à domicile dans l’industrie de la lingerie Creator An entity primarily responsible for making the resource Collectif Date A point or period of time associated with an event in the lifecycle of the resource 1907 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Texte Subject The topic of the resource Ouvrage Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Enquête sur le travail à domicile dans l’industrie de la lingerie, collectif, 1907, papier imprimé, Paris, BMD, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX17_H10 Ouvrage https://musea-archive.univ-angers.fr/files/original/cc1971866c2da81922003723d3a8297c.jpg ab611814f013bd6f9b4a2b904d453880 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Affiche Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portugaises d'origine Creator An entity primarily responsible for making the resource Collectif Centopeia Date A point or period of time associated with an event in the lifecycle of the resource 1984 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Affiche Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Portugaises d'origine, collectif Centopeia, 1984, affiche, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_L12 https://musea-archive.univ-angers.fr/files/original/c1e84098e3450cfc94975066a5fcac80.jpg 2356096b752d66cbd161184f5fb7e4cb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Documentation CIEMI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Droit de vivre en famille : pour qui ? Creator An entity primarily responsible for making the resource Collectif femmes immigrées Date A point or period of time associated with an event in the lifecycle of the resource 1984-10 Rights Information about rights held in and over the resource CIEMI Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Droit de vivre en famille : pour qui ?, Collectif femmes immigrées, octobre 1984, papier imprimé, Documentation CIEMI, © CIEMI. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_H12 https://musea-archive.univ-angers.fr/files/original/9da6a5552c48195735edc4b468be6b75.jpg fb5ab94ddf74da3df206b248a9043b13 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Timbre Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Savoir trébuche Ignorance Creator An entity primarily responsible for making the resource Comité d'éducation féminine Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Image Subject The topic of the resource Timbre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Savoir trébuche Ignorance, Comité d'éducation féminine, 1925, timbre, Paris, BMD, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX13_H20 Timbre https://musea-archive.univ-angers.fr/files/original/7cc631149dfd7f5af9f58b4294788cf9.jpg 5163d6324f0652f267f3192b30b64cdf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie couleur Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edith Cresson Creator An entity primarily responsible for making the resource Commission européenne Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Commission européenne Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Edith Cresson, Commission Européenne, date inconnue, photographie couleur, © Commission européenne. Identifier An unambiguous reference to the resource within a given context MUSEA_EX12_H26 https://musea-archive.univ-angers.fr/files/original/cd24a6d1d6263e6b5d40286f1a352c64.JPG 734a3db04b74be07d9147c2a24193c80 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Location The location of the interview Bibliothèque Marguerite Durand, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La vie tragique de Geneviève Creator An entity primarily responsible for making the resource Compain, Louise Publisher An entity responsible for making the resource available Calmann-Lévy (Paris) Date A point or period of time associated with an event in the lifecycle of the resource 1912 Rights Information about rights held in and over the resource Bibliothèque Marguerite Durand Type The nature or genre of the resource Texte Subject The topic of the resource Ouvrage Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La vie tragique de Geneviève, Louise Compain, 1912, Paris, Calmann-Lévy, Paris, BMD, © BMD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX17_H13 Ouvrage https://musea-archive.univ-angers.fr/files/original/09f2112c52e195a0df654dbd8d159de4.jpg a644961ef663053a3d693a9c26af79ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Affiche Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5e festival de l’immigration (en arabe : journée de la femme immigrée) Creator An entity primarily responsible for making the resource Coordination des associations immigrées en France Date A point or period of time associated with an event in the lifecycle of the resource 1980 Description An account of the resource Milieu des années 1980 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Affiche Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. 5e festival de l’immigration (en arabe : journée de la femme immigrée), Coordination des associations immigrées en France, milieu des années 1980, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX15_H14 https://musea-archive.univ-angers.fr/files/original/c998c8f55834302a55d1977eff495280.jpg 18a20e93e48a168fdefe78f934f1941f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Centre des Archives du Féminisme, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inauguration du Centre audiovisuel Simone de Beauvoir à Paris Creator An entity primarily responsible for making the resource Coryelle, Rosette Date A point or period of time associated with an event in the lifecycle of the resource 1985 Rights Information about rights held in and over the resource Centre des Archives du Féminisme Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Inauguration du Centre audiovisuel Simone de Beauvoir à Paris, Rosette Coryelle, 1985, Angers, CAF, © CAF. Identifier An unambiguous reference to the resource within a given context MUSEA_EX16_H15 https://musea-archive.univ-angers.fr/files/original/418d62d49482e129edae41a24b62ef40.jpg b40344dcaf2f80444c27a990002f5cef Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie couleur Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Danièle Senet avec le bijou du Prix « Femmes d’Europe » Creator An entity primarily responsible for making the resource Courrier de l'Ouest Date A point or period of time associated with an event in the lifecycle of the resource 1987 Source A related resource from which the described resource is derived Courrier de l'Ouest Rights Information about rights held in and over the resource Courrier de l'Ouest Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Danièle Senet avec le bijou du Prix « Femmes d’Europe », Courrier de l'Ouest, 1987, photographie couleur, © Courrier de l'Ouest. Identifier An unambiguous reference to the resource within a given context MUSEA_EX12_H18 https://musea-archive.univ-angers.fr/files/original/d30b1c754bc90bc4ce760f7891bda1be.jpg 4cd6e6c76a640eb1f5f70bca06bee264 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 55 X 51,4 X 38,5 cm Location The location of the interview Musée Louis-Philippe, Château d'Eu, Eu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne d’Arc pleurant à la vue des blessés Creator An entity primarily responsible for making the resource d'Orléans, Marie Date A point or period of time associated with an event in the lifecycle of the resource 1835 Rights Information about rights held in and over the resource Musée Louis-Philippe, Château d'Eu, Eu photo Schney, Hélène Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne d’Arc pleurant à la vue des blessés, Marie d’Orléans, 1835, 55 x 51,4 x 38, 5 (cm), Eu, Musée Louis-Philippe, Château d’Eu, © Château d’Eu, photo Hélène Schney. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_L08 Peinture https://musea-archive.univ-angers.fr/files/original/7e079dbda44c42793bb94e31464cfbcc.jpg cc640342665604c018179aa07c4b93f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographie de Pierre Simon et sa secrétaire, vers 1970 Creator An entity primarily responsible for making the resource Daniel Gremi (vers 1970) Source A related resource from which the described resource is derived collection personnelle Pierre Simon Date A point or period of time associated with an event in the lifecycle of the resource 1970 Rights Information about rights held in and over the resource Collection personnelle Pierre Simon Format The file format, physical medium, or dimensions of the resource Photographie