7 50 1043 https://musea-archive.univ-angers.fr/files/original/cea5540e3dec5827f28e4c9b5c5a1f9d.jpg 00af773fe8f7028a41980364419c8286 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pastel 50 X 30 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Bill Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Bill, 2001, pastel, 50 x 30 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H43 https://musea-archive.univ-angers.fr/files/original/6ea024d9558549be3f4e3fc6535d876e.jpg 1b2796033ba4dbc7582ebda7cfb5c5be Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pastel 80 X 60 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Africain Creator An entity primarily responsible for making the resource Eric Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L'Africain, Eric, 2002, pastel, 80 x 60 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_H44 https://musea-archive.univ-angers.fr/files/original/096c5df67d6c20601fa98351a78b3ef1.jpg d1ffcafe52a5b4cc70c90594d7602318 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 50 X 30 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Un cœur à triste mine (détail) Creator An entity primarily responsible for making the resource Lisa Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Un cœur à triste mine (détail), Lisa, 2003, 50 x 30 (cm), collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L01 https://musea-archive.univ-angers.fr/files/original/a7a122c26d96451f467e83f8f51dbf13.jpg 7a391342ef21d21f81639abe942bad6d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 40 X 50 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Paul Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Paul, 2002, 40 x 50 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L02 https://musea-archive.univ-angers.fr/files/original/7630a703c7671a9c49e0f0cb22848eec.jpg 0421bbdf86c039a9da0466919ef02bdf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 48 X 64 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’amour Creator An entity primarily responsible for making the resource Mathonnière Date A point or period of time associated with an event in the lifecycle of the resource 1997 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’amour, Mathonnière, 1997, 48 x 64 (cm), collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L03 https://musea-archive.univ-angers.fr/files/original/38b7fa744f5bec9f86811eabe51c85a8.jpg 7e0c2d912863748d00b5efec6aefc4a1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 30 X 50 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le feu d’artifice de 2005 Creator An entity primarily responsible for making the resource F., X. Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Le feu d’artifice de 2005, F.X., 2003, 30 x 50 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L04 https://musea-archive.univ-angers.fr/files/original/648048e6352611650bb9b1c8dfddd07c.jpg 00932a0cc2ab7bb7857945687b5846e8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 20 X 30 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Naissance Creator An entity primarily responsible for making the resource Pons Date A point or period of time associated with an event in the lifecycle of the resource 1999 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Naissance, Pons, 1999, 20 x 30 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L05 https://musea-archive.univ-angers.fr/files/original/0c3a4a7e2657aaf4fb29c8c365e76034.jpg e3b7aeafb35bec3fcaf8996abe381e7e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pastel 80 X 60 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’Homme vert Creator An entity primarily responsible for making the resource L., Philippe Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’Homme vert, Philippe L., 2002, pastel, 80 x 60 (cm), collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L06 https://musea-archive.univ-angers.fr/files/original/96edbd8dbabbf40ecedd875f1d1221fb.jpg 96013a4059893fd51434950a1fe3c311 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 25 X 32 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petit bonhomme Creator An entity primarily responsible for making the resource Sonia Date A point or period of time associated with an event in the lifecycle of the resource 1997 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Petit bonhomme, Sonia, 1997, 25 x 32 (cm), collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L07 https://musea-archive.univ-angers.fr/files/original/cb8bf6b2624a6cbd5437299197362176.jpg dd87fedb917a545396f1e043196fa4c4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 37 X 20 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Réincarnation de l’homme en bouc ou l’homme-chèvre Creator An entity primarily responsible for making the resource Victor Date A point or period of time associated with an event in the lifecycle of the resource 2003 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Réincarnation de l’homme en bouc ou l’homme-chèvre, Victor, 2003, 37 x 20 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L08 https://musea-archive.univ-angers.fr/files/original/38f6e9813577a8fd36020c728bf09556.jpg 8d567b57c1619d389f343546929be37d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 80 X 60 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fifille Creator An entity primarily responsible for making the resource Sonia Date A point or period of time associated with an event in the lifecycle of the resource 1999 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Fifille, Sonia, 1999, techniques mixtes, 80 x 60 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L09 https://musea-archive.univ-angers.fr/files/original/3dce8669973002e5db054b518d2d413a.jpg 71ffae29cd1256ad5092d86c06f9daea Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Crayon de couleur et pastel 30 X 20 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Bill Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Bill, 2001, crayon de couleur et pastel, 30 x 20 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L10 https://musea-archive.univ-angers.fr/files/original/0661084403991382def985d5887d80b9.jpg d46d906a193ed082b5c4eade47279a2f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrylique 80 X 60 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le un comme l’angoisse Creator An entity primarily responsible for making the resource Mathonnière Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Le un comme l’angoisse, Mathonnière, 2002, acrylique, 80 x 60 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L11 Peinture https://musea-archive.univ-angers.fr/files/original/e6073aaccf4ef6f756982eed06432f80.jpg 6f8c437d87de03616f3233b19749818e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrylique 40 X 32 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand personnage vu de dos Creator An entity primarily responsible for making the resource Dourain, D. Date A point or period of time associated with an event in the lifecycle of the resource 1999 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Grand personnage vu de dos, D. Dourain, 1999, acrylique, 40 x 32 (cm), collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L12 Peinture https://musea-archive.univ-angers.fr/files/original/816c9dafc261c480eb04d5dea8c48394.jpg e3dc3c3a4e1df6f1247a1b09225124f2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile 40 X 50 cm Location The location of the interview Mais-Encore – CESAME, Ste Gemmes sur Loire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sans titre Creator An entity primarily responsible for making the resource Eliane Date A point or period of time associated with an event in the lifecycle of the resource 2001 Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sans titre, Eliane, 2001, huile, 40 x 50 (cm), Ste Gemmes sur Loire, Mais-Encore – CESAME, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX06_L13 Peinture https://musea-archive.univ-angers.fr/files/original/7868a26fd7bbad1236734c268b095e21.jpg c1979b8a6102216ebdb80bfc431a0546 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Valland lors d'une exposition au musée du Jeu de Paume - 02 Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Rose Valland lors d'une exposition au musée du Jeu de Paume - 02, anonyme, 1934, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H01 https://musea-archive.univ-angers.fr/files/original/b6a6a7b48269fb5b0a91bbb883dcb2c9.jpg d1c8024a1195e1237ff03ccb14244869 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vue de la salle des martyres (Musée du Jeu de Paume) (01) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Vue de la salle des martyres (Musée du Jeu de Paume) (01), anonyme, 1940, photographie noir et blanc, Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H02 https://musea-archive.univ-angers.fr/files/original/2b3eaa7dc62c5d8af7a1498420eadb98.jpg 832ab3e0939c62d3bc9da27ccdb0be7b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vue de la salle des martyres (Musée du Jeu de Paume) (02) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Vue de la salle des martyres (Musée du Jeu de Paume) (02), anonyme, 1940, photographie noir et blanc, Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H03 https://musea-archive.univ-angers.fr/files/original/756eda7a4b7993aa6bfc33616c22d97d.jpg 300a4a6f0d5e9cff9cdfc577eba7ebf6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goering choisissant des tableaux Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Goering choisissant des tableaux, anonyme, 1940, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H04 https://musea-archive.univ-angers.fr/files/original/98b162b235aadb8e699271cee19178d1.jpg 2d45dff4c75d105aa6c1829d8a4d7c0d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Valland dans la cour Visconti du Louvre avec les pièces de retour de la zone soviétique d'occupation Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1972 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Rose Valland dans la cour Visconti du Louvre avec les pièces de retour de la zone soviétique d'occupation, anonyme, 1972, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H05 https://musea-archive.univ-angers.fr/files/original/811845e2f1f55cbab059908b23c933ed.jpg 2222e75a68cd53651f92e610bc20b8e6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Procès de Nüremberg - 01 Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1945 Description An account of the resource Rose Valland apparaît au 2e rang, à droite Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Procès de Nüremberg - 01, anonyme, 1945, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H06 https://musea-archive.univ-angers.fr/files/original/cea5b1a29b460efc6266db8d2daa2463.jpg 38a4f8656fb6d3f06295ef7144c0e159 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Procès de Nüremberg - 02 Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1944 Description An account of the resource Rose Valland se situe au 4e rang, au centre (sous la cabine 1) Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Procès de Nüremberg - 02, anonyme, 1944, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H07 https://musea-archive.univ-angers.fr/files/original/fe3ac4ee2c77b658b31cc0307ab02ecf.jpg 401e09dcadaa8482c7eade94fd9000bc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Procès de Nüremberg - 03 Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1945 Description An account of the resource Rose Valland est au premier plan à gauche. Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Procès de Nüremberg - 03, anonyme, 1945, photographie noir et blanc, Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H08 https://musea-archive.univ-angers.fr/files/original/35e834deb2b95638549da3131ea58d91.jpg baaf8d1bacfaf9b39603bbd631fcedc4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joyce Heer Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 20e siècle Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Joyce Heer, anonyme, 20e siècle, photographie noir et blanc, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H09 https://musea-archive.univ-angers.fr/files/original/3ee3ad3bfbdeca66dacab8b0c91b62a3.jpg 4c9790572f83f53152c20be56c6d8f0c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Site internet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Page d’accueil, The Documentation project Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 2004 Source A related resource from which the described resource is derived http://docproj.loyola. edu/jdp/ Type The nature or genre of the resource Image Subject The topic of the resource Capture d'écran Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Page d’accueil (http://docproj.loyola. edu/jdp/), The Documentation project, anonyme, 2004, site internet Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H10 Capture d'écran https://musea-archive.univ-angers.fr/files/original/37723dc0dc919983184693ad8c689365.jpg 09d47981644bc8d11fb6fa09727b9878 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Site internet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documents sur le Jeu de Paume, The Documentation project Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 2004 Source A related resource from which the described resource is derived http://docproj.loyola. edu/jdp/ Type The nature or genre of the resource Image Subject The topic of the resource Capture d'écran Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Documents sur le Jeu de Paume (http://docproj.loyola.edu/jdp/), The Documentation project, anonyme, 2004, site internet Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H11 Capture d'écran https://musea-archive.univ-angers.fr/files/original/e0500d164c4de36a30e89b3e957410b7.jpg 2e59cec46e1cc46f1217284b93be851a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Site internet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Page d’accueil, A teacher’s guide to the holocaust Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 2004 Source A related resource from which the described resource is derived http://fcit.usf.edu/ holocaust/default.htm Type The nature or genre of the resource Image Subject The topic of the resource Capture d'écran Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Page d’accueil, http://fcit.usf.edu/ holocaust/default.htm), A teacher’s guide to the holocaust, anonyme, 2004, site internet Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H12 Capture d'écran https://musea-archive.univ-angers.fr/files/original/a485dc121361281aa0286b05182fd9e0.jpg d404d0d300a14335cd9f948ed7ab7cb7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Site internet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bibliographie “Looted Art”, A teacher’s guide to the holocaust Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 2004 Source A related resource from which the described resource is derived http://fcit. usf.edu/holocaust/default.htm Type The nature or genre of the resource Image Subject The topic of the resource Capture d'écran Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Bibliographie “Looted Art”, http://fcit. usf.edu/holocaust/default.htm), A teacher’s guide to the holocaust, anonyme, 2004, site internet Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H13 Capture d'écran https://musea-archive.univ-angers.fr/files/original/b9fe2e1a2f1917f6b278fa3239fe278f.jpg 45adb61f4ad87149a986716f6cc071b5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile 29 X 31 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Esquisse de plafond (Musée des Beaux-Arts 1333 Dép., Musées Nationaux de Récupération 324) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 18e siècle Description An account of the resource "Selon la fiche du Central Collecting Point de Munich (archives : BAK B 323 693, attribué à l'Allemagne du Sud), acquis en France ; la seule indication est : " depot possessor : Nürnberg, Germanisches Museum " (le numéro trouvé au dos du tableau : "1423" est sans doute le numéro d'inventaire du musée) ; enregistré au Central Collecting Point de Munich sous le n° 48183. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1954." (extrait de la notice MNR 324 du catalogue des MNR). Source A related resource from which the described resource is derived Musée des Beaux-Arts 1333 Dép., Musée Nationaux de Récupération 324 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Esquisse de plafond (MBA 1333 Dép., MNR 324), anonyme (école française), 18e siècle, huile sur toile, 29 x 31 (cm), Angers, Musée des Beaux-Arts, © © Musées d’Angers – Photo P. David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H14 Peinture https://musea-archive.univ-angers.fr/files/original/4a80a38879c9fb7b10f77907aceac4f1.jpg 9af3f8709f74e7ee26d0508371ddd6d4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 65 X 44 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait d'homme (Musées Beaux-Arts 1665 Dép., Musées Nationaux Récupération 267) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1575 (vers) Description An account of the resource "Monogrammé et D. b. g. : RVP 1575  Collection Fritz Rothmann, Berlin-Amsterdam en 1927.  Acheté 512 000 RM par l'intermédiaire de Lhose à Rochlitz, le 17 mars 1941, pour Göring (archives : MAE cartons 581 R 36, 710/14 et RA 840, MEF B 47121 et BAK B 323 567 & 657), mais l'inventaire Göring indique : " obtenu par échange avec des œuvres d'art moderne confisqué [sic] par l'ERR [Einsatzstab Reichsleiter Rosenberg] (Picasso…) " ; collection Göring (inv. RM 810) (archives : MAE carton 149 A 102 p. 140) ; enregistré au Central Collecting Point de Munich sous le n° 5281. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Alger de 1952 à 1961 ; retour au Louvre ; déposé à Angers en 1970." (extrait de la notice MNR 267 du catalogue des MNR ) Source A related resource from which the described resource is derived Musées des Beaux-Arts 1665 Dép., Musées Nationaux Récupération 267 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Portrait d'homme (MBA 1665 Dép., MNR 267), anonyme (Haut Rhin ou Bas Rhin), (vers) 1575, 65 x 44 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H15 Peinture https://musea-archive.univ-angers.fr/files/original/7ca702db3d87458e65fceea992511492.jpg c96a8606eef103f6fc06ed4cb0f7129b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile 425 X 320 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruisseaux aux hérons (Musée des Beaux-Arts 1378 Dép., Musées Nationaux Récupération 535) Creator An entity primarily responsible for making the resource Daubigny, Charles-François Date A point or period of time associated with an event in the lifecycle of the resource 1853 Description An account of the resource "Acheté 105 000 F à Mottard par Raphaël Gérard, Paris (archives : AN Z6 478/4554 167-168), qui le revend 125 000 F au Museum Folkwang d'Essen en novembre 1942 (archives : MAE cartons 371 P 2, 430 P 84, 709 dossier Berlin-Musées, 823) ; exportation frauduleuse (archives : MAE carton 389 P. 24). Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1956." (extrait de la notice MNR 535 du catalogue des MNR ) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1378 Dép., Musées Nationaux Récupération 535 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Ruisseaux aux hérons (MBA 1378 Dép., MNR 535), Charles-François Daubigny, 1853, huile sur bois, 425 x 320 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H16 Peinture https://musea-archive.univ-angers.fr/files/original/1efafba93222a8141244d52d6965620a.jpg a671e7395acc18dd156de987cfb3a7ad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 96 X 54 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Vierge, saint Jean-Baptiste et un ange adorant Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 15e siècle Description An account of the resource Acheté 65 000 F le 20 août 1941 par Bornheim, Munich, chez Landry, Paris, pour Göring [1] ; entré le 10 septembre 1941 dans la collection Göring à Kurfürst (sous attribution à Botticini, inv. RM 1054) ; enregistré au Central Collecting Point de Munich sous le n° 5107. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1970." (extrait de la notice MNR 244 du catalogue des MNR ) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1666 Dép., Musées Nationaux Récupération 244 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Vierge, saint Jean-Baptiste et un ange adorant (MBA 1666 Dép., MNR 244), anonyme (Florence), 15e siècle, 96 x 54 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H17 Peinture https://musea-archive.univ-angers.fr/files/original/7011c80b74765350293dcd77739838ce.jpg 5b246e334697f82a378b6638e9ac4b81 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tempera sur bois 50 X 38 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Vierge et l'Enfant Jésus (Musée des Beaux-Arts 1667 Dép., Musées Nationaux Récupération 251) Creator An entity primarily responsible for making the resource di Giovanni, Stefano (dit Sassetta) Date A point or period of time associated with an event in the lifecycle of the resource 1450 Description An account of the resource Acheté à Rochlitz par Lohse pour Göring (archives : MAE carton 714 dossier 2, qui indique aussi les numéros Munich 3105 et 6425, l'un désignant le cadre, l'autre le panneau. En effet, un document de Coblence [BAK B 323 567] indique pour cette oeuvre le numéro 6425); sans doute le même tableau que celui cité dans l'interrogatoire Rochlitz (archives : MAE carton 149 A 101) : acquis 750 000 F en septembre 1941 ; collection Göring (inv. RM 116). Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Alger de 1952 à 1960 ; déposé à Angers en 1970." (extrait de la notice MNR 251 du catalogue des MNR ) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1667 Dép. Musées Nationaux Récupération 251 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Vierge et l'Enfant Jésus (MBA 1667 Dép., MNR 251), Stefano di Giovanni (dit Sassetta) , 1450, tempera sur bois, 50 x 38 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H18 Peinture https://musea-archive.univ-angers.fr/files/original/92993594cfef949105d791d6066a6c33.jpg 506ce8db29240e494f37db3dd430c562 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tempera sur bois 54 X 143 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Siège de Carthage (Musée des Beaux-Arts 1668 Dép., Musées Nationaux Récupération 246) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1460 Description An account of the resource La fiche du catalogue Göring indique : " collection Tucher ". Acquis 375 000 F en 1941 chez Toulino par Bornheim, Munich ; cadeau du Dr Flick à Göring le 24 décembre 1941 (inv. RM 1156) (archives : BAK B 323 319) ; enregistré au Central Collecting Point de Munich sous le n° 5528. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1970." (extrait de la notice MNR 246 du catalogue des MNR) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1668 Dép. Musées Nationaux de Récupération 246 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Siège de Carthage (MBA 1668 Dép., MNR 246), anonyme (école florentine), 1460, tempera sur bois, 54 x 143 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H19 Peinture https://musea-archive.univ-angers.fr/files/original/fe035dbc32316ec7cc4e202632491b87.jpg db39762a84985c49b419a43e118af3fa Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tempera sur bois 48 X 161 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Comblement d'un puits (Musée des Beaux-Arts 1669 Dép., Musées Nationaux Récupération 824) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 15e siècle Description An account of the resource Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1951 ; déposé à Angers en 1970." (extrait de la notice MNR 824 du catalogue des MNR) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1669 Dép. Musées Nationaux Récupération 824 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Comblement d'un puits (MBA 1669 Dép., MNR 824), anonyme (école italienne), 15e siècle, tempera sur bois, 48 x 161 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H20 Peinture https://musea-archive.univ-angers.fr/files/original/0d9c9a544921de1e6cefad350927fc3a.jpg ff3922a42248d8cc4067065d36482985 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 70 X 53 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Vierge, saint Jean-Baptiste et un ange adorant (Musées des Beaux-Arts 1670 Dép., Musées Nationaux Récupération 252) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 15e siècle Description An account of the resource Acquis par Haberstock chez Meller, Paris, en 1940 et revendu 23 000 RM le 23 novembre 1940 au musée de Linz (n° 1604) (archives : MAE carton 413 P 59 et BAK B 323 567) ; enregistré au Central Collecting Point de Munich sous le n° 4412. Attribué au musée du Louvre par l’Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1969." (extrait de la notice MNR 252 du catalogue des MNR) Source A related resource from which the described resource is derived Musée des Beaux-Arts 1670 Dép. Musées Nationaux Récupération 252 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Vierge, saint Jean-Baptiste et un ange adorant (MBA 1670 Dép., MNR 252), anonyme (Florence), 15e siècle, 70 x 53 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H21 Peinture https://musea-archive.univ-angers.fr/files/original/483cfda8d22db052188b279ab67eeb0e.jpg 3d841c3a497013ab44694447b607da86 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 0,50 X 0,65 m Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Train dans la campagne Creator An entity primarily responsible for making the resource Monet, Claude Date A point or period of time associated with an event in the lifecycle of the resource 19e siècle Description An account of the resource Acheté à Monet par Ernest Hoschedé, vers 1876-1877 ; vente Hoschedé, Paris, Drouot, 5-6 juin 1878, n° 53, adjugé 175 F à Brullé. Raphaël Gérard, Paris (cachet au revers).  Acheté en France par Adolf Wüster (comme Petit paysage avec pont à Meudon de Monet) [1] (une note manuscrite dans les archives Ribbentrop mentionne « Paysage de Saint-Cloud, Collection personnelle de Wüster » et la photographie n° 48, À Saint-Cloud) [2] ; acquis à Paris en 1940 par le ministère des Affaires étrangères [3] ; collection Ribbentrop (n° 145) [4] ; découvert dans le dépôt de A. Th. Paulsen et Cie, Hambourg. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; Jeu de Paume, 1950 ; Orsay, 1986."  (extrait de la notice MNR 218 du catalogue des MNR ) Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Train dans la campagne, Claude Monet, 19e siècle, 0,50 x 0,65 (m), Angers, Musée des Beaux-arts, © Musée des Beaux-arts d'Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H22 Peinture https://musea-archive.univ-angers.fr/files/original/a243e02593123e3c2989dc0eaecf5374.jpg cc8548af7ddd3d12f6162928d8122565 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Montage numérique 180 X 180 pixels Location The location of the interview MUSEA, Université d'Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait de Rose Valland parmi les oeuvres de la « salle des martyrs » du Jeu de Paume Creator An entity primarily responsible for making the resource MUSEA Date A point or period of time associated with an event in the lifecycle of the resource 2004 Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Portrait de Rose Valland parmi les oeuvres de la « salle des martyrs » du Jeu de Paume, MUSEA, 2004, montage numérique, 180 x 180 (pixels), © MUSEA, Université d'Angers. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L01 https://musea-archive.univ-angers.fr/files/original/1fa320acbf7f6e3a149d28adf7c40fc9.jpg 2a7895a3997f33ed691be661c6d32d7c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie couleur 13 X 10 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maison natale de Rose Valland à Saint-Etienne-de-Saint-Geoirs (Isère) Creator An entity primarily responsible for making the resource Flamant, Françoise Date A point or period of time associated with an event in the lifecycle of the resource 2000 Rights Information about rights held in and over the resource Flamant, Françoise Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Maison natale de Rose Valland à Saint-Etienne-de-Saint-Geoirs (Isère), Françoise Flamant, 2000, photographie couleur, 13 x 10 (cm), collection particulière, © Françoise Flamant. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L02 https://musea-archive.univ-angers.fr/files/original/5d414cfaf715d9e8ba402fe0cbe81bc4.jpg 08824d7b68be7ef349ea786d8a776025 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie noir et blanc Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Valland lors d'une exposition au musée du Jeu de Paume Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Rose Valland lors d'une exposition au musée du Jeu de Paume, anonyme, 1934, photographie noir et blanc, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L03 https://musea-archive.univ-angers.fr/files/original/185aa49dde887ab98a985b99c2e97cd8.jpg 1d259f3745ec41d8209a363b5281828e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Carte Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carte de la zone soviétique (MAE/ARD/RA/carton 133 A 79) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 20e siècle Source A related resource from which the described resource is derived MAE/ARD/RA/carton 133 A 79 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Image Subject The topic of the resource Carte Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Carte de la zone soviétique (MAE/ARD/RA/carton 133 A 79), Rose Valland, 20e siècle, papier et encre, Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L07 Carte https://musea-archive.univ-angers.fr/files/original/7d3e4c3948c16092edd5412793be911b.jpg dc98a5baf86f4c90a362fea3bbdf1566 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographie couleur 10 X 13 cm Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre tombale de Rose Valland (Saint-Etienne de Saint-Geoirs) Creator An entity primarily responsible for making the resource Flamant, Françoise Date A point or period of time associated with an event in the lifecycle of the resource 2000 Rights Information about rights held in and over the resource Françoise, Flamant Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Pierre tombale de Rose Valland (Saint-Etienne de Saint-Geoirs), Françoise Flamant, 2000, 10 x 13 (cm), collection particulière, © Françoise Flamant. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L09 https://musea-archive.univ-angers.fr/files/original/3e4fa189b01f424698ac32daccf7c298.jpg ae21745f94ff1251a099157ce9139689 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Affiche 21 X 14 cm Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Affichette de l'exposition 'Rose Valland' à Saint Etienne de Saint Geoirs Creator An entity primarily responsible for making the resource Le Lamobile Date A point or period of time associated with an event in the lifecycle of the resource 1999 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Image Subject The topic of the resource Affiche Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Affichette de l'exposition 'Rose Valland' à Saint Etienne de Saint Geoirs, Le Lamobile, 1999, affiche, 21 x 14 (cm), Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L10 https://musea-archive.univ-angers.fr/files/original/4e20afa37c07f39bc09e3b44fe2647af.jpg 70b33ce0fa452c560bfab54b399cbb87 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Montage numérique 1000 X 1000 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oeuvres Musées Nationaux Récupération du Musée des Beaux-Arts d'Angers Creator An entity primarily responsible for making the resource MUSEA Date A point or period of time associated with an event in the lifecycle of the resource 2004 Rights Information about rights held in and over the resource MUSEA, Université d'Angers Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Oeuvres MNR du Musée des Beaux-Arts d'Angers, MUSEA, 2004, montage numérique, 1000 x 1000 (px), © MUSEA, Université d'Angers. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L11 https://musea-archive.univ-angers.fr/files/original/5c0a9a36541c97729b4a59d8955e7e99.jpg 230681f98d4dc09b4762475a5c6e5be0 https://musea-archive.univ-angers.fr/files/original/fad5a162a2887e72ab07be6f7f8c2015.jpg 9a90a4b708421704dd040c2bf4a427d5 https://musea-archive.univ-angers.fr/files/original/e76f65181c0191341fb2234d6b5ea0b2.pdf a383f7768574f6570c51e9399583d4c0 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 27 X 21 cm Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curriculum Vitae (photocopie) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1935 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Texte Subject The topic of the resource Curriculum Vitae Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Curriculum Vitae (photocopie), Rose Valland, 1935, papier imprimé, 27 x 21 (cm), Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_A01 Curriculum Vitae https://musea-archive.univ-angers.fr/files/original/2e0ada0eb0458829e2578e0839914e96.jpg a41713377f5c35b26d8fd35cbf817669 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Survival (couverture) Creator An entity primarily responsible for making the resource Rorimer, James Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Abelard Press Type The nature or genre of the resource Texte Subject The topic of the resource Ouvrage Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Survival (couverture), James Rorimer, 1950, papier imprimé, collection particulière, © Abelard Press. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_B01 Ouvrage https://musea-archive.univ-angers.fr/files/original/602b885973e6d634f899fe9aec53e5b7.jpg b4f15576c2f8cc8b709de3b214823da0 https://musea-archive.univ-angers.fr/files/original/3afdf865d328204fc33e3e90c68be4a7.pdf ff2784b9eedbea0d5aecc5535a7d9011 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 29 X 21 cm Location The location of the interview Ministère des Affaires étrangères, Paris Transcription1 Le Chef de la Section des Beaux-Arts de Berlin à Monsieur le Directeur Général des Arts et des Lettres 53 rue St. Dominique Paris J’ai l’honneur de vous communiquer le rapport ci-joint. Vous pouvez deviner combien je regrette que les nouvelles qu’il vous apporte ne soient pas meilleures. R. Valland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre accompagnant le rapport de Rose Valland en zone soviétique (photocopie) (MAE/ARD/RA/carton 585 R44) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1949-05 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 585 R44 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre accompagnant le rapport de Rose Valland en zone soviétique (photocopie) (MAE/ARD/RA/carton 585 R44), Rose Valland, mai 1949, papier imprimé et encre, 29 x 21 (cm), Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_G01 Lettre https://musea-archive.univ-angers.fr/files/original/aaf2472015f2705f79ec8fcf3776dfa1.pdf 9de2f0356a6681bf30ff5af55771873c https://musea-archive.univ-angers.fr/files/original/708a1041f9992c92f60f8e8b2a635ae1.jpg c3e84fe047ff038cb0e511a5ad0116ea https://musea-archive.univ-angers.fr/files/original/dac7d6b2de5fb21a2b577ee5e5d75a66.jpg 9b6fbb600425447ef3f813d9278e00be https://musea-archive.univ-angers.fr/files/original/803e69e988b51b0912203102cd9d9501.jpg ba2e2a0c058e542785ce8b9c625e9c05 https://musea-archive.univ-angers.fr/files/original/cf108fefc8393a959e4eaae0fdd00b05.jpg 8c9c559c97011a12f0ffbb19e589ba91 https://musea-archive.univ-angers.fr/files/original/f8dbbc17e56bc070759a8190d8a58300.jpg 7d8c8e970b667d81db122e06d06835a9 https://musea-archive.univ-angers.fr/files/original/bbebc5e8285f2556ec7fd81e6152e10a.jpg 3a4328bda4e768c2dce3ab00d09cbbc9 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 29 X 21 cm Location The location of the interview Ministère des Affaires étrangères, Paris Transcription1 [page 1] Récupération artistique en zone soviétique. Visite à Karlshorst le 18 mai 1949 En compagnie de Monsieur Barillot, Chef du Service français des Restitutions en zone soviétique, du Capitaine Verneau et de Mr. De Vojod, interprète de Russe, nous avons été reçu par le Colonel Ovtschimnikow qui dirige la Division Réparations & Restitutions en zone soviétique, par Mr. Neditech, Chef des Services Restitutions & Réparations soviétiques dans les zones alliées et par les Capitaines Ignatiew et Olendar appartenant à la même organisation. Mon intention en allant à Karlshorst était de demander aux Soviétiques la restitution des différentes œuvres d'art que nous leur avions signalées comme étant d'origine française. Tous ces objets d'art avaient été nettement situés par nos recherches, soit à Berlin, soit en zone soviétique et les adresses de localisation étaient portées sur les « Claims » officiels adressés à Karlshorst. I. Affaire des œuvres d'art de la Reichsbank Mes premières questions portèrent sur les œuvres d'art enlevées de France par le Dr. Funk, ancien président de la Reichsbank. Il s'agissait d'une centaine de pièces importantes, statues, peintures, meubles, tapisseries, argenteries, qui avaient été mises à l'abri dans les caves blindées de cet important immeuble construit par Hitler dans la Kurstrabe et qui est devenu actuellement le siège du Stadtkontor, établissement financier sous Contrôle soviétique. Un interrogatoire du Dr. Fuhl, directeur de la Reichsbank, m'avait apporté la confirmation que jusqu'à la bataille de Berlin les œuvres d'art étaient intactes et avaient été mises en sécurité dans les caves blindées de ce bâtiment. [page 2] D’après lui le pillage de ces chambres fortes, d’un système de sécurité, très moderne, était aussi impossible que leur destruction par bombardements. Au cours d’une visite que je fis, il y a quelques mois, au Stadtkontor pour essayer d’obtenir l’autorisation de pénétrer jusqu’à des dépôts souterrains, je fus reçue par un officier soviétique qui, pris au dépourvu par mes questions, n’opposa aucun démenti. Au cours de la même entrevue, je constatai qu’il y avait sur le mur de son bureau, derrière son fauteuil, une des tapisseries que nous réclamions. Ce fut sans doute pour cette raison qu’il admit avec une certaine gène, mais très nettement, qu’il devait encore rester des tapisseries françaises dans cet immeuble. Seule réponse précise qui me fut faite d’ailleurs. Malgré ces différentes certitudes que nous possédions sur la main mise des Soviétiques sur les œuvres d’art que nous recherchions à la Reichsbank, il nous fut répondu par Mr. Ignatiew à notre entretien du 18 mai, qu’en dépit des nombreuses recherches faites par son service, aucun des objets que nous réclamions n’avaient été retrouvés. Que les caves avaient été atteintes par les bombardements (ce qui est absolument inexact, les caves sont intactes) et que les fouilles entreprises dans les décombres avaient été très difficiles et n’avaient données aucun résultat. Cette dernière excuse, inventée pour les besoins de leur cause montre la détermination des Soviétique de ne rien nous restituer de cet ensemble de grande valeur. Nous croyons savoir d’ailleurs que la plupart des objets précieux trouvés par les Russes à la Reichsbank ont été transportés à Karlshorst il y a quelques temps déjà et nous pouvons supposer que ce transport n’était qu’une première étape avant la Russie, où à l’heure actuelle doivent se trouver la plupart des œuvres d’art emportées de France par le Dr. Funk. [page 3] II. œuvres d'art de Göring à Karinhall Dans la conversation qui suivit notre première explication les Soviétiques parlèrent avec éloquence de la difficulté de retrouver les œuvres d'art spoliées dans leur pays ; ils me demandèrent de les aider à récupérer ce qui avait été pris chez eux et chez nous. Bien entendu, je leur répondis que je ferai de mon mieux. Je profitai de cette proposition pour leur dire que je me rendrai volontiers à Karinhall où je pourrai les aider en leur désignant les œuvres d'art d'origine française qui s'y trouvaient encore. Le ton de la conversation changea aussitôt et le Colonel Ovtsonimnikow ne répondit simplement qu'il examinerait les nouveaux claims que nous lui adressions. Il s'agit de quelques pièces très lourdes et de valeur secondaire que nous n'avons pu évacuer précédemment par nos propres moyens. – Cette façon d'éluder notre collaboration quand elle parait devoir arriver à des restitutions effectives éclaire une fois de plus le désir soviétique de nous tenir à l'écart de ces recherches et de ces restitutions d'œuvres d'art dans leur zone. III. Statues de Rodin prises en France par Breker et par Hitler J'attendais surtout de ces conversations de Karlshorst un éclaircissement sur le sort des statues de Rodin que nous savions depuis plusieurs mois emportées par les Soviétiques à Moscou. On se souvient de cette affaire qui a fait l'objet d'un rapport confidentiel. Ne pouvant ramener directement ces deux statues, Le Penseur et L'homme qui marche dans le secteur français de Berlin je les avais fait transporter dans le dépôt d'œuvres d'art de Potsdam où dès leur arrivée elles avaient été signalées aux Soviétiques par les allemands responsables comme été propriétés françaises. Au même moment nous remettions aux Services du Colonel Ovtschimnikow un claim officiel réclamant leur restitution. [page 4] Après cette démarche j’avais pu savoir que par deux fois des officiers soviétiques du Service Restitutions étaient allés les voir au dépôt de Potsdam et qu’enfin ces statues avaient été expédiées clandestinement à Moscou. Nous attendions donc avec le plus grand intérêt les explications soviétiques. Voici ce qui nous fut répondus (sic) : Tout d’abord que notre réclamation ne pouvait être exacte, le Penseur de Rodin étant à Paris. Je confirmai qu’il y avait bien en effet une fonte de cette statue au Musée Rodin ; mais que deux autres fontes n’en étaient pas moins authentiques et que les bronzes de Potsdam étaient des originaux. Cette discussion esthétique terminée, M. Ignatiew repris la parole pour nous déclarer tout simplement que ces deux statues n’avaient pas été retrouvées. L’histoire que ces deux Rodin que nous avons suivi avec attention depuis le moment où ils ont été déclarés à Karlshorst jusqu’à leur départ en Russie, me parait avoir une valeur symbolique pour illustrer les intentions des Soviétiques en matière de Restitutions d’œuvres d’art et leur sens très particulier de la propriété. IV. Drapeaux emportés de France par Blücher Après la discussion sur les deux Rodin j’espérai que connaissant eux-même (sic) la vérité et pouvant supposer que nous la connaissions également (puisque les sanctions avaient été prises contre des allemands et des officiers soviétiques sous le prétexte qu’ils avaient renseignés les français sur la présence de ces statues à Potsdam ; ce qui était d’ailleurs inexact pour les coupables désignés), les Soviétiques seraient amenés céder sur la demande suivante qui est pour nous de la plus grande importance. Il s’agissait de récupérer quelques trois cents drapeaux que nous avions retrouvés le Colonel Druène et moi-même au cours de la mission que nous avions effectuée en zone soviétique au début de l’année 1946. [page 5] Là encore notre espoir s’est trouvé déçu et pourtant depuis le moment où ces trophées avaient été identifiés nous les avions réclamés constamment aux Soviétiques qui nous en avaient toujours promis la restitution. A notre demande renouvellée (sic) le 18 Mai, il nous fut répondu que le Capitaine Ignatiew, qui fut cependant présent à chacune des visites que je fis à Karlshorst où il fut régulièrement question de ces drapeaux. « Nous regrettons beaucoup, mais ces drapeaux n’ont pas été retrouvés ! » je m’étonnai et j’insistai en disant que nous les avions découverts nous-même à Weidmannsheil au cours d’un mission officielle. « C’est sans doute », nous fut il répondu, « parce que ces drapeaux ont été détruits depuis cette époque, comme tout ce qui appartenait aux différents Musées de l’Armée et pouvait rappeler aux allemands leur passé militaire. Cette destruction fut effectuée en vertu d’accords quadripartites pris au Conseil de Contrôle ! » Réponse tendancieuse qui montre tout d’abord la mauvaise volonté soviétique pour toute espèce de restitution à la France, même quand il s’agit d’objets sans valeur pour eux. D’autre part les décisions du Conseil de Contrôle, telles que les Russes, comme les autres alliées, doivent les connaître portaient sur la destruction d’objets militaires non soumis à restitution. Mais surtout cette réponse est inexacte car nous savons de source sure, que contrairement aux affirmations soviétiques, les drapeaux n’ont pas été détruits à Weidmannsheil et qu’ils ont été transférés dans [un] autre dépôt que nous connaissons, mais dont [nous] n’avons j’amais mentionné le nom au cours de cette conversation, en faisant semblant de croire et d’accepter les explications données. Notre seul espoir de rentrer un jour en possession de ces précieux souvenirs militaires et que nous arrivions à les enlever clandestinement. Ce sera difficile car ils se trouvent fort éloignés à l’intérieur de la zone. [page 6 ] V. Restitutions de tapisseries La suite de notre entretien avec les Soviétiques porta sur la réclamation des 18 tapisseries que j'ai retrouvées au début de cette année dans le Secteur soviétique de Berlin. Elles sont détenues par l'ancienne galerie d'art Quantmeyer & Eicke, devenue aujourd'hui propriété du peuple. Les Soviétiques ont été alertés depuis plusieurs mois par un claim en demandant la restitution. En réponse à notre appel le Capitaine Ignatiew insista à nouveau sur la difficulté qu'il y aurait à retrouver et à reprendre ces Gobelins. Je lui rétorquais encore une fois que ces tapisseries étaient bien à l'adresse indiquée et que l'acheteur lui-même avait reconnu leur origine française. – Des recherches, finit-il par dire seront entreprises. Cependant malgré cette assurance verbale nous avons toutes raisons de craindre que ces dix huit tapisseries anciennes ne soient définitivement perdues. Notre expérience des procédés soviétiques en matière de restitutions artistiques nous fait déplorer que ces tapisseries aient été signalées aux Services de Karlshorst. A la suite du rapt des deux Rodin, notre intention était de ne plus leur faire connaître aucun localisation d'œuvres d'art ; mais par le jeu normal de nos services administratifs cette découverte fut communiquée par la Commission de Récupération artistique à l'office des Biens et Intérêts privés qui crut devoir les réclamer officiellement. Ce qui est tout à fait regrettable car nous perdons ainsi l'espoir de les récupérer d'aucune manière. Jusqu'à ce jour aucune restitution officielle ne nous a été consentie par les Soviétiques et nous nous sommes malheureusement aperçu que leur réclamer une œuvre d'art servait uniquement à éveiller leur intérêt et à la leur désigner comme de bonne prise. RValland [manuscrit] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rapport de Rose Valland en zone soviétique, page 1 (photocopie) (MAE/ARD/RA/carton 585 R 44) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1949-05 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 585 R44 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Texte Subject The topic of the resource Rapport Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Rapport de Rose Valland en zone soviétique, page 1 (photocopie) (MAE/ARD/RA/carton 585 R 44), Rose Valland, mai 1949, papier imprimé, 29 x 21 (cm), Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_G02 Rapport https://musea-archive.univ-angers.fr/files/original/53a1b6926fbf86dcf32b891550bc6ccb.jpg dc2af58582ba7bedd32ae90291d91e7c Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 17 X 17 cm Location The location of the interview Mireille Christophe, Brunoy Transcription1 Cher ami, Merci infiniment pour votre lettre. J’ai étudié chacune des phrases de vos jugements et je me suis trouvée toujours en accord avec vous. C’est vrai je me sentais particulièrement nerveuse au début de l’émission ! et il ne m’était pas facile de me dominer ! Tout cela a débuté trop vite. Tant de choses se bousculent également dans les souvenirs de chacun de nous qu’il n’est pas facile au dernier moment de toujours bien choisir. Ce qui m’a touché dans votre lettre c’est la conformité de nos jugements. J’ai essayé très souvent de vous téléphoner sans pouvoir vous atteindre et sans avoir une réponse. J’aurais voulu vous demander si dans quelques temps (car je vais m’absenter), vous ne pourriez pas me faire le plaisir de revenir déjeuner dans ce quartier ? est-ce que cela ennuierait votre épouse de se joindre à nous ? Cher ami, encore merci. Croyez que je vous […] à ma reconnaissance bien amicale, Rose Valland [manuscrit] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre à Léon Christophe (photocopie) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1975 Rights Information about rights held in and over the resource Christophe, Mireille Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre à Léon Christophe (photocopie), Rose Valland, avril 1975, papier et encre, 17 x 17 (cm), Brunoy, Mireille Christophe, © Mireille Christophe. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H-1 Lettre https://musea-archive.univ-angers.fr/files/original/86f4ebe925e926fed3f85356024a51a1.jpg 4a972d2d42da9b72a4cff95c6296b877 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes en sténographie (MAE/ARD/RA/carton 571 R 18) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1940 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 571 R 18 Type The nature or genre of the resource Texte Subject The topic of the resource Note Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Notes en sténographie (MAE/ARD/RA/carton 571 R 18), Rose Valland, 1940, papier et encre, Paris, Ministère des Affaires Etrangères Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L05 Note