14 50 1043 https://musea-archive.univ-angers.fr/files/original/4f53985558c17710a687cfb20a6fd473.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fresque Location The location of the interview Panthéon, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne instruite Creator An entity primarily responsible for making the resource Lenepveu, Jules-Eugène Date A point or period of time associated with an event in the lifecycle of the resource 1890 Rights Information about rights held in and over the resource photo Cadet, Patrick, Centre des Monuments Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne instruite, Jules-Eugène Lenepveu, 1890, fresque, Paris, Panthéon, © cliché Patrick Cadet, CMN. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H26 Peinture https://musea-archive.univ-angers.fr/files/original/6fff71c4b4cf5c48cb64da432016cd0d.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fresque Location The location of the interview Panthéon, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vie de Jeanne d'Arc, Jules-Eugène Lenepveu Creator An entity primarily responsible for making the resource Lenepveu, Jules-Eugène Date A point or period of time associated with an event in the lifecycle of the resource 1890 Rights Information about rights held in and over the resource photo Rose, Caroline, Centre des Monuments Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Vie de Jeanne d'Arc, Jules-Eugène Lenepveu, 1890, fresque, Paris, Panthéon, © cliché Caroline Rose, CMN. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H25 Peinture https://musea-archive.univ-angers.fr/files/original/d51f070e49cc3b9965aec4b0213e7989.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Fresque 42 m2 Location The location of the interview Panthéon, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Christ montrant à l’ange les destinées de son peuple Creator An entity primarily responsible for making the resource Hébert, Ernest Date A point or period of time associated with an event in the lifecycle of the resource 1884 Rights Information about rights held in and over the resource photo Cadet, Patrick, Centre des Monuments Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Le Christ montrant à l’ange les destinées de son peuple, Ernest Hébert, 1884, 42 m2, Paris, Panthéon, © cliché Patrick Cadet, CMN. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H24 Peinture https://musea-archive.univ-angers.fr/files/original/c368f926d101cb8907b4c47eb89d1fe5.jpg f847909d05189340b8b6f1e64405dcd2 https://musea-archive.univ-angers.fr/files/original/bac961f5ef7e67687838323a3eb86d5a.jpg e588c0bf53611e09678ce46493150d05 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sainte Jeanne d'Arc (Tableau d'Ingres) Publisher An entity responsible for making the resource available Maison de la Bonne Presse Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Description An account of the resource Recto/Verso Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Sainte Jeanne d'Arc (Tableau d'Ingres) (recto), Maison de la Bonne Presse, date inconnue, papier imprimé, collection particulière, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H20 https://musea-archive.univ-angers.fr/files/original/542ed215d53d2132b534ee8ab688bbef.pdf d1fb628de8e47a8735b371c85abcb77d https://musea-archive.univ-angers.fr/files/original/2921eace610bd80b134d9124ae429a16.jpg bfd5040e6459b3a43a85a65a595edd93 https://musea-archive.univ-angers.fr/files/original/fc0ad5d9377c4cd4bdbce948de9f3e22.jpg 280b7a442b7ea410927415ad47743714 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bienheureuse Jeanne d'Arc Publisher An entity responsible for making the resource available Éditions B. Chenevier Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Description An account of the resource Recto/Verso Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Bienheureuse Jeanne d'Arc, Editions B. Chenevier, date inconnue, papier imprimé, collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H18 https://musea-archive.univ-angers.fr/files/original/4d7d8690c2f4b6440b7c3a06c224a86e.jpg 5a14a49e184b5685cac81e73d7305195 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bienheureuse Jeanne d'Arc Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Bienheureuse Jeanne d'Arc, anonyme, date inconnue, papier imprimé, collection particulière, © droits réservés. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H17 https://musea-archive.univ-angers.fr/files/original/20951545316e8fa05b30c810c35d784e.jpg baba43cd62f4ea4a24cf57d5a14958e1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La bienheureuse Jeanne d'Arc Publisher An entity responsible for making the resource available Maison de la Bonne Presse Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Droits réservés Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La bienheureuse Jeanne d'Arc, Maison de la Bonne Presse, date inconnue, papier imprimé, collection particulière, © droits réservés.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H16 https://musea-archive.univ-angers.fr/files/original/2caa67791a605bfc6c2112745a903e22.jpg 174f06ad52c193d23e5d25163a448d9e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histoire de France. Cours élémentaire Creator An entity primarily responsible for making the resource Lavisse, Ernest Publisher An entity responsible for making the resource available Éditions Armand Colin Date A point or period of time associated with an event in the lifecycle of the resource 1914 Description An account of the resource Page 70 Rights Information about rights held in and over the resource Éditions Armand Colin Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Histoire de France. Cours élémentaire, Ernest Lavisse (page 70), Editions Armand Colin, 1914, papier imprimé, collection particulière, © Editions Armand Colin. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H23 https://musea-archive.univ-angers.fr/files/original/fd0e9fe378be15e0ea4a58d8ef500417.jpg 76264d1ff6ad20788b4993970a272a44 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Couverture de l’Histoire de France. Cours élémentaire Creator An entity primarily responsible for making the resource Lavisse, Ernest Publisher An entity responsible for making the resource available Éditions Armand Colin Date A point or period of time associated with an event in the lifecycle of the resource 1914 Rights Information about rights held in and over the resource Éditions Armand Colin Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Couverture de l’Histoire de France. Cours élémentaire, Ernest Lavisse, Editions Armand Colin, 1914, papier imprimé, collection particulière, © Editions Armand Colin. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H22 https://musea-archive.univ-angers.fr/files/original/15d9c464d785bbc2e5df695f8bf333f0.jpg 2ff45040e2c009892dde96d0f90bade2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile 220 X 176 cm Location The location of the interview Musée des Beaux-Arts, Orléans Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne d’Arc au sacre du roi Charles VII, d’après Ingres Creator An entity primarily responsible for making the resource Pichon, Auguste Date A point or period of time associated with an event in the lifecycle of the resource 1858 Rights Information about rights held in and over the resource Musée des Beaux-Arts, Orléans Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne d’Arc au sacre du roi Charles VII, d’après Ingres, Auguste Pichon, 1858, huile sur toile, 220x176 (cm), Orléans, Musée des Beaux-Arts, © Musées des Beaux-Arts d'Orléans. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H15 Peinture https://musea-archive.univ-angers.fr/files/original/b62fe37cc026e924293538c40d26a4be.jpg 76b4cd26dbe7ef7dd83d4d66ad9b745d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne d’Arc au sacre du roi Charles VII Creator An entity primarily responsible for making the resource Ingres Date A point or period of time associated with an event in the lifecycle of the resource 1854 Rights Information about rights held in and over the resource Réunion des Musées Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne d’Arc au sacre du roi Charles VII, Ingres, 1854, huile sur toile, Paris, Musée du Louvre, © RMN. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H14 Peinture https://musea-archive.univ-angers.fr/files/original/e2a471bf63c15673327d6641e2887142.jpg 5a7e9dc505289b9373351a0691ebded6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile 218 X 115 cm Location The location of the interview Musée Antoine Vivenel, Compiègne Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne d’Arc voue ses armes à la Vierge Creator An entity primarily responsible for making the resource de Châtillon, Laure Date A point or period of time associated with an event in the lifecycle of the resource 1869 Rights Information about rights held in and over the resource Musée Antoine Vivenel Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne d’Arc voue ses armes à la Vierge, Laure De Châtillon, 1869, huile sur toile, 218 x 115 (cm), Compiègne, Musée Antoine Vivenel, © Musée Antoine Vivenel.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H13 Peinture https://musea-archive.univ-angers.fr/files/original/9d548fd8cb1fcc831eef39a283b989fa.jpg ced3f74d9d7b0654c08135d9fbaaf4c2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Plâtre Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Prière de Jeanne, biscuit d’après une statue de Marie d’Orléans Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Rights Information about rights held in and over the resource Collection particulière Type The nature or genre of the resource Image Subject The topic of the resource Statue Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Prière de Jeanne, biscuit d’après une statue de Marie d’Orléans, anonyme, date inconnue, plâtre, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H12 Statue https://musea-archive.univ-angers.fr/files/original/1d73c8a3135fd0ec1f001be7be649b9b.jpg 6fc4106dc574f9636e75cee0c8df6cf1 https://musea-archive.univ-angers.fr/files/original/d19b7553068dfd71c1a7ca730a57fe14.jpg fb75fa888d3bacb670c0d8572bb8ca0b https://musea-archive.univ-angers.fr/files/original/e7c5d76821cebbe2147c1c9b452555c6.pdf b83ab37bfcf125e61361fe2769ea2a39 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Image de piété dérivée de la toile de Charles-Henri Michel Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource Date inconnue Description An account of the resource Recto/Verso Rights Information about rights held in and over the resource Collection particulière Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Image de piété dérivée de la toile de Charles-Henri Michel, anonyme, date inconnue, papier imprimé, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H10 https://musea-archive.univ-angers.fr/files/original/f3e45e3726fc93878a09e22c576616a6.jpg 840295fa045786195a64a885d7b3c07f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile 160 X 247 cm Location The location of the interview Musée du château, Blois Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’étendard de Jeanne d’Arc Creator An entity primarily responsible for making the resource Michel, Charles-Henri Date A point or period of time associated with an event in the lifecycle of the resource 1901 Rights Information about rights held in and over the resource Musée du château de Blois Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’étendard de Jeanne d’Arc, Charles-Henri Michel, 1901, huile sur toile, 160 x 247 (cm), Blois, Musée du Château, © Musée du Château de Blois. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H09 Peinture https://musea-archive.univ-angers.fr/files/original/4210616096b33b089fdae349a0d2153b.jpg c1bf8d3b16e407ca140633a80cd57c79 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Médiathèque François Mitterand, Poitiers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vrais Pourtraicts et vies des hommes illustres (279r) Creator An entity primarily responsible for making the resource Thevet, André Date A point or period of time associated with an event in the lifecycle of the resource 1584 Rights Information about rights held in and over the resource Médiathèque François Mitterand, Poitiers Photo Neuille, O. Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Vrais Pourtraicts et vies des hommes illustres (279r), André Thevet, 1584, papier imprimé, Poitiers, Médiathèque François-Mitterrand, © Médiathèque François-Mitterrand, cliché O. Neuille.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H08 https://musea-archive.univ-angers.fr/files/original/ace4d09ce6d38f7629c6de001a5df0a5.jpg 3b2106b0fa2f4133e449030df07f035c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Chromolithographie Location The location of the interview Musée historique de l'Orléannais, Orléans Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bannière commémorative de la délivrance d’Orléans (extrait de Henri Wallon, Jeanne d’Arc) Creator An entity primarily responsible for making the resource Pralon Date A point or period of time associated with an event in the lifecycle of the resource 1876 Rights Information about rights held in and over the resource Editions Gisserot Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Bannière commémorative de la délivrance d’Orléans (extrait de Henri Wallon, Jeanne d’Arc), Pralon, 1876, chromolithographie, Orléans, Musée historique de l'Orléannais, © Editions Gisserot. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H07 https://musea-archive.univ-angers.fr/files/original/f0fea28154628fdc7de693b651cb3778.jpg 277006e383742727b3a7d9f67320d582 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Huile sur toile Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne d’Arc au bouclier devant le fort des Tournelles Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1820 Rights Information about rights held in and over the resource Musée des Beaux-Arts de Rouen Type The nature or genre of the resource Image Subject The topic of the resource Peinture Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeanne d’Arc au bouclier devant le fort des Tournelles, anonyme, 1820, huile sur toile, collection particulière, © Musée des Beaux-Arts de Rouen. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H06 Peinture https://musea-archive.univ-angers.fr/files/original/185b33cd596e5ded5acd78c4f76a8384.jpg f3f50df86b40a47f1d63026bb20c5894 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Gravure Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Pucelle. Annales Galliæ (extrait de Galerie des femmes fortes) Creator An entity primarily responsible for making the resource Le Moyne (le père) Date A point or period of time associated with an event in the lifecycle of the resource 1665 Description An account of the resource face p.112 Source A related resource from which the described resource is derived Galerie des femmes fortes Rights Information about rights held in and over the resource Collection particulière Type The nature or genre of the resource Image Subject The topic of the resource Gravure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La Pucelle. Annales Galliæ (extrait de Galerie des femmes fortes), Le Moyne (le père), 1665, gravure, face p. 112, © collection particulière. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H05 Gravure https://musea-archive.univ-angers.fr/files/original/bbff268cbd0c9575f5d81ec249e41ab4.jpg bb029539fbcdda37ecb2ce99bc54621f https://musea-archive.univ-angers.fr/files/original/b48cef1a196b6e069e818198f77837c8.jpg 10603eff556fbfe05b0424473c040e1a https://musea-archive.univ-angers.fr/files/original/2eb5bc89631c99bf7c7304c4f91d579d.jpg 45960cb4babe1f42e05359e11584f014 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Bibliothèque municipale, Rouen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeu de découpage du début du XXe siècle Publisher An entity responsible for making the resource available Maison Pelerin (Epinal) Date A point or period of time associated with an event in the lifecycle of the resource 1900 Description An account of the resource Image accompagnée de deux détails Rights Information about rights held in and over the resource Bibliothèque Municipale de Rouen photo Ascenscio-Parvy, T. Type The nature or genre of the resource Image Subject The topic of the resource Illustration Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Jeu de découpage du début du XXe siècle, Maison Pelerin (Epinal), 1900, papier imprimé, Rouen, Bibliothèque Municipale, © BM Rouen, photo T. Ascenscio-Parvy.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H02 https://musea-archive.univ-angers.fr/files/original/81036d0b6fd34d0e0caf65b6a0394180.jpg e30112cc0a510c379d1fe5bd9ea1d939 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Chromolithogravure Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Episodes de l’histoire de Charles VII et de Jeanne d’Arc Creator An entity primarily responsible for making the resource Pralon Publisher An entity responsible for making the resource available Fraillery (Paris) Date A point or period of time associated with an event in the lifecycle of the resource 19è siècle Rights Information about rights held in and over the resource Editions Gisserot Type The nature or genre of the resource Image Subject The topic of the resource Gravure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Episodes de l’histoire de Charles VII et de Jeanne d’Arc, Fraillery (Paris), 19e siècle, © Editions Gisserot. Identifier An unambiguous reference to the resource within a given context MUSEA_EX03_H01 Gravure https://musea-archive.univ-angers.fr/files/original/e6939d9b9ee3b1888cc56abb4759d890.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire Location The location of the interview Musée national du Moyen Age, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le dieu d’Amours et sa cour, valve de miroir (Cl. 401) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Source A related resource from which the described resource is derived Cl. 401 Rights Information about rights held in and over the resource Réunion des Musées Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Le dieu d’Amours et sa cour, valve de miroir (Cl. 401), anonyme, 14e siècle, ivoire, Paris, Musée National du Moyen Age, © RMN, DR. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L13 Objet https://musea-archive.univ-angers.fr/files/original/2724f11a025060cf2ee106439bbecf5e.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scènes courtoises, tablette à écrire (MRR 426) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Source A related resource from which the described resource is derived MRR 426 Rights Information about rights held in and over the resource Réunion des Musées Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Scènes courtoises, tablette à écrire (MRR 426), anonyme, 14e siècle, ivoire, Paris, Musée du Louvre, © RMN, DR. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L12 Objet https://musea-archive.univ-angers.fr/files/original/29c17f336432a4b198a93d3f8a51302a.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire d. 11,5 cm Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La partie d’échecs, valve de miroir (OA 117) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Source A related resource from which the described resource is derived OA 117 Rights Information about rights held in and over the resource Réunion des Musées Nationaux Arnaudet, Daniel (photo) Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La partie d’échecs, valve de miroir (OA 117), anonyme, 14e siècle, ivoire, d. 11.5 cm, Paris, Musée du Louvre, © RMN, photo Daniel Arnaudet. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L11 Objet https://musea-archive.univ-angers.fr/files/original/a89f0dff1570e76c90d3799bb2812786.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire d. 11,3 cm Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valves de miroir (MRR R 197 a et b) Creator An entity primarily responsible for making the resource Anonyme Description An account of the resource Paris Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Source A related resource from which the described resource is derived MRR R 197a et b Rights Information about rights held in and over the resource Beck-Coppola, Martine, Réunion des Musées Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Valves de miroir (MRR R 197 a et b), anonyme (Paris), 14e siècle, ivoire, d. 11,3 cm, Paris, Musée du Louvre, © photo RMN, Martine Beck-Coppola. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L10 Objet https://musea-archive.univ-angers.fr/files/original/9c2acc5b14edd29749b6a4a7fc21acd3.jpg 4fccdfaacc17b10f07681394b77ba885 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Enluminure 19,5 X 13,5 cm Location The location of the interview Bibliothèque municipale, Rouen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heures à l’usage de Rome (folio 5 v, ms. 3026, Leber 142) Creator An entity primarily responsible for making the resource Anonyme Description An account of the resource Bruges Date A point or period of time associated with an event in the lifecycle of the resource 1510 Source A related resource from which the described resource is derived Folio 5 v, ms. 3026, Leber 142 Rights Information about rights held in and over the resource Bibliothèque municipale, Rouen Type The nature or genre of the resource Image Subject The topic of the resource Enluminure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Heures à l’usage de Rome (folio 5 v, ms. 3026, Leber 142), anonyme (Bruges), 1510, enluminure, 19,5 x 13,5 (cm), Rouen, Bibliothèque Municipale, © Rouen, Bibliothèque Municipale. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L09 Enluminure https://musea-archive.univ-angers.fr/files/original/f70b2a52b8ca3d24da87bc1e3a8fb9a1.jpg 7f7449e2910824e49abc44c5b15bfd46 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze 35 X 38 cm Location The location of the interview Musée Dobrée, Nantes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aristote chevauché par la courtisane Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1400 Rights Information about rights held in and over the resource Musée Dobrée, Nantes Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Aristote chevauché par la courtisane, anonyme, 1400, bronze, 35 x 38 (cm), Nantes, Musée Dobrée, © Nantes, Musée Dobrée. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L08 Objet https://musea-archive.univ-angers.fr/files/original/d2d43038f645eedb7df337ba8d9df904.jpg c11fc9868d975a10712f7fb516bdd19a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tapisserie Location The location of the interview Château, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penthésilée Creator An entity primarily responsible for making the resource Anonyme Description An account of the resource Tournai ? Date A point or period of time associated with an event in the lifecycle of the resource 1480 Rights Information about rights held in and over the resource Centre des Monuments Nationaux Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Penthésilée, anonyme (Tournai ?), 1480, tapisserie, Angers, Château, © CMN. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L07 Objet https://musea-archive.univ-angers.fr/files/original/d0963f14d0c2bf05206c207b9fe7c212.jpg 5834263ccd56c601573f88e91a452611 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tapisserie 1,55 X 3,98 cm Location The location of the interview Musée des Arts décoratifs, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scènes courtoises (inv. PE 601) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1400 Source A related resource from which the described resource is derived inv. PE 601 Rights Information about rights held in and over the resource Union Central des Arts Décoratifs Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Scènes courtoises (inv. PE 601), anonyme, 1400, tapisserie, 1,55 x 3,98 (m), Paris, Musée des Arts Décoratifs, © UCAD. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L06 Objet https://musea-archive.univ-angers.fr/files/original/7ee00611fbbf4530d47846306a1fa6ec.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tapisserie 2,47 X 2,09 cm Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le don du cœur (inv. OA 3131) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1400 Source A related resource from which the described resource is derived inv. OA 31131 Rights Information about rights held in and over the resource Réunion des Monuments Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Le don du cœur (inv. OA 3131), anonyme, 1400, tapisserie, 2,47 x 2,09 (m), Paris, Musée du Louvre, © RMN, DR. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L05 Objet https://musea-archive.univ-angers.fr/files/original/62d3912439c82208a8110bb8f0dd2100.jpg 379d8aad4729f2ee8d6d26928ff7db09 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire d. 12 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scène de tournoi (inv. 003.1.401) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Source A related resource from which the described resource is derived Inv. 003.1.401 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Scène de tournoi (inv. 003.1.401), anonyme, 14e siècle, ivoire, d. 12 cm, Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L04 Objet https://musea-archive.univ-angers.fr/files/original/69392b727842d1801f4680231439c376.jpg b086791f878db6a914b794a69be221fb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire d. 9,4 cm Location The location of the interview Musée des Beaux-Arts, Angers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’attaque du château d’Amour (inv. MTC 1136) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1330 Source A related resource from which the described resource is derived inv. MTC 1136 Rights Information about rights held in and over the resource Musées d'Angers David, Pierre (photo) Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’attaque du château d’Amour (inv. MTC 1136), anonyme, 1330, ivoire, d. 9,4 cm, Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L03 Objet https://musea-archive.univ-angers.fr/files/original/8d9ed48497ace42319d3e8a7f6035408.jpg 86ab17283863a4f057995ad29bc59817 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Enluminure 40,5 X 25,9 cm Location The location of the interview Bibliothèque municipale, Dijon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettrine ornée, Bible (ms. 3, folio 134 v) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 13e siècle Source A related resource from which the described resource is derived ms. 3, folio 134 v Rights Information about rights held in and over the resource Bibliothèque municipale, Dijon Type The nature or genre of the resource Image Subject The topic of the resource Enluminure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettrine ornée, Bible (ms. 3, folio 134 v), anonyme, 13e siècle, enluminure, 40,5 x 25,9 (cm), Dijon, Bibliothèque Municipale, © Dijon, Bibliothèque Municipale. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L02 Enluminure https://musea-archive.univ-angers.fr/files/original/95a43131ce05c3334cb817b8572a93ae.jpg 83b5d8ad8fcec668ddcdef1adc69cb60 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Vitrail Location The location of the interview Musée national du Moyen Age, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La partie d'échecs (détail) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1430 Rights Information about rights held in and over the resource Réunion des Musées Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La partie d'échecs (détail), anonyme, 1430, vitrail, Paris, Musée National du Moyen Age, © RMN, photo Gérard Blot. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_L01 Objet https://musea-archive.univ-angers.fr/files/original/7a65cf3aeae759ec0e5e1eb44ea622dd.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire 6 X 11,5 cm Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Face de coffret orné de scènes courtoises (Paris) (OA 10958) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1340 Source A related resource from which the described resource is derived OA 10958 Rights Information about rights held in and over the resource Réunion des Monuments Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Face de coffret orné de scènes courtoises (Paris) (OA 10958) , anonyme, 1340, ivoire, 6 x 11.5 cm, Paris, Musée du Louvre, © RMN, DR. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H09 Objet https://musea-archive.univ-angers.fr/files/original/d296dc7b2ab94f9ccc8b55aa8fb49374.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Vitrail Location The location of the interview Musée national du Moyen Age, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La partie d’échecs (Lyon) (Cl. 23422) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1430 Source A related resource from which the described resource is derived Cl. 23422 Rights Information about rights held in and over the resource Réunion des Monuments Nationaux Blot, Gérard (photo) Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. La partie d’échecs (Lyon) (Cl. 23422), anonyme, 1430, vitrail, Paris, Musée National du Moyen Age, © RMN, photo Gérard Blot.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H08 Objet https://musea-archive.univ-angers.fr/files/original/504c7f2432a12d313b162fe434b1c133.jpg eca0d1b447fd9058a5170c81e433ce74 https://musea-archive.univ-angers.fr/files/original/a343b061b6615adb5bda56b2e5a1142c.jpg 167e4443092e13889675629c012e5737 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Enluminure 30 X 21,8 cm Location The location of the interview Bibliothèque municipale, Verdun Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bréviaire de Renaud de Bar (ms. 107, folio 22 r) Creator An entity primarily responsible for making the resource Anonyme Description An account of the resource Image et détail Date A point or period of time associated with an event in the lifecycle of the resource 1302 Source A related resource from which the described resource is derived ms. 107, folio 22r Rights Information about rights held in and over the resource Bibliothèque municipale, Verdun Type The nature or genre of the resource Image Subject The topic of the resource Enluminure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Bréviaire de Renaud de Bar (ms. 107, folio 22 r), anonyme, 1302, enluminure, 30 x 21,8 (cm), Verdun, Bibliothèque Municipale, © Verdun, Bibliothèque Municipale.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H06 Enluminure https://musea-archive.univ-angers.fr/files/original/8bdd12903ce57eb0324ecee573b57bdd.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ivoire d. 10 cm Location The location of the interview Musée national du Moyen Age, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valve de miroir (Italie du Nord) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1400 Source A related resource from which the described resource is derived inv. LOA 115 Rights Information about rights held in and over the resource Réunion des Musées Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Valve de miroir (Italie du Nord) (inv. LOA 115), anonyme, 1400, ivoire, d. 10 cm, Paris, Musée National du Moyen Age, © RMN, DR. Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H05 Objet https://musea-archive.univ-angers.fr/files/original/ac235bee7a8a250e7fbb820f7f752c6e.jpg 278d00e254e96e546053d49d8b6b58e0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tablette à écrire (ivoire) 9 X 7 cm Location The location of the interview Musée d'art ancien du pays namurois, Namur Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’offrande du cœur (n° 29) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 14e siècle Rights Information about rights held in and over the resource Musée d'art ancien du pays namurois, Namur Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’offrande du cœur (n° 29), anonyme, 14e siècle, tablette à écrire (ivoire), 9 x 7 (cm), Namur, Musée d’art ancien du pays namurois, © Namur, Musée d’art ancien du pays namurois.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H04 Objet https://musea-archive.univ-angers.fr/files/original/e1082d0674feb11459b2a167fde52bd0.png 8b2cfb70d38361214270eca53aa0bff9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Tablette à écrire (ivoire) Location The location of the interview Musée du Louvre, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L’offrande du cœur (inv. OA 2763) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1490 Source A related resource from which the described resource is derived inv. OA 2763 Rights Information about rights held in and over the resource Réunion des Musées Nationaux, DR Type The nature or genre of the resource Image Subject The topic of the resource Objet Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. L’offrande du cœur (inv. OA 2763), anonyme, 1490, tablette à écrire (ivoire), Paris, Musée du Louvre, © RMN, DR.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H03 Objet https://musea-archive.univ-angers.fr/files/original/8996911ae33fe5cef97f1d41f19cef2f.jpg c7ce1ffd1af1c0c7780f81793401439c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Enluminure 30 X 21,8 cm Location The location of the interview Bibliothèque municipale, Verdun Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Décor marginal, Bréviaire de Renaud de Bar (ms. 107, folio 137v) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1302 Source A related resource from which the described resource is derived ms. 107, folio 137v Rights Information about rights held in and over the resource Bibliothèque municipale de Verdun Type The nature or genre of the resource Image Subject The topic of the resource Enluminure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Décor marginal, Bréviaire de Renaud de Bar (ms. 107, folio 137v), anonyme, 1302, enluminure, 30 x 21,8 (cm), Verdun, Bibliothèque Municipale, © Verdun, Bibliothèque Municipale.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H02 Enluminure https://musea-archive.univ-angers.fr/files/original/e807b1046657a9fc11341f0ffab20159.jpg 03a259a0dfaf94a5173aeef755a7f557 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Enluminure 37,5 X 26,5 cm Location The location of the interview Bibliothèque Sainte Geneviève, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David et Abishag, Bible (ms 47, f. 81) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 15e siècle Source A related resource from which the described resource is derived Bible ms 47 f. 81 Rights Information about rights held in and over the resource Bibliothèque Sainte Geneviève Type The nature or genre of the resource Image Subject The topic of the resource Enluminure Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. David et Abishag, Bible (ms 47, f. 81), anonyme, 15e siècle, enluminure, 37,5 x 26,5 (cm), Paris, Bibliothèque Sainte Geneviève, © BSG.  Identifier An unambiguous reference to the resource within a given context MUSEA_EX04_H01 Enluminure https://musea-archive.univ-angers.fr/files/original/8ee4e99a6cc8f0dd5cfb55e9eb6046c6.jpg aa21ce2573eb76ad645740217bef8e14 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Affiche de protection placée par les Allemands sur les dépôts d’œuvres d’art pendant la guerre (photocopie) Creator An entity primarily responsible for making the resource Anonyme Date A point or period of time associated with an event in the lifecycle of the resource 1940 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Texte Subject The topic of the resource Affiche Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Affiche de protection placée par les Allemands sur les dépôts d’œuvres d’art pendant la guerre (photocopie), anonyme, 1940, papier imprimé, Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L06 https://musea-archive.univ-angers.fr/files/original/86f4ebe925e926fed3f85356024a51a1.jpg 4a972d2d42da9b72a4cff95c6296b877 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit Location The location of the interview Ministère des Affaires étrangères, Paris Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes en sténographie (MAE/ARD/RA/carton 571 R 18) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1940 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 571 R 18 Type The nature or genre of the resource Texte Subject The topic of the resource Note Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Notes en sténographie (MAE/ARD/RA/carton 571 R 18), Rose Valland, 1940, papier et encre, Paris, Ministère des Affaires Etrangères Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L05 Note https://musea-archive.univ-angers.fr/files/original/53a1b6926fbf86dcf32b891550bc6ccb.jpg dc2af58582ba7bedd32ae90291d91e7c Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Texte manuscrit 17 X 17 cm Location The location of the interview Mireille Christophe, Brunoy Transcription1 Cher ami, Merci infiniment pour votre lettre. J’ai étudié chacune des phrases de vos jugements et je me suis trouvée toujours en accord avec vous. C’est vrai je me sentais particulièrement nerveuse au début de l’émission ! et il ne m’était pas facile de me dominer ! Tout cela a débuté trop vite. Tant de choses se bousculent également dans les souvenirs de chacun de nous qu’il n’est pas facile au dernier moment de toujours bien choisir. Ce qui m’a touché dans votre lettre c’est la conformité de nos jugements. J’ai essayé très souvent de vous téléphoner sans pouvoir vous atteindre et sans avoir une réponse. J’aurais voulu vous demander si dans quelques temps (car je vais m’absenter), vous ne pourriez pas me faire le plaisir de revenir déjeuner dans ce quartier ? est-ce que cela ennuierait votre épouse de se joindre à nous ? Cher ami, encore merci. Croyez que je vous […] à ma reconnaissance bien amicale, Rose Valland [manuscrit] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre à Léon Christophe (photocopie) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1975 Rights Information about rights held in and over the resource Christophe, Mireille Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre à Léon Christophe (photocopie), Rose Valland, avril 1975, papier et encre, 17 x 17 (cm), Brunoy, Mireille Christophe, © Mireille Christophe. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_H-1 Lettre https://musea-archive.univ-angers.fr/files/original/aaf2472015f2705f79ec8fcf3776dfa1.pdf 9de2f0356a6681bf30ff5af55771873c https://musea-archive.univ-angers.fr/files/original/708a1041f9992c92f60f8e8b2a635ae1.jpg c3e84fe047ff038cb0e511a5ad0116ea https://musea-archive.univ-angers.fr/files/original/dac7d6b2de5fb21a2b577ee5e5d75a66.jpg 9b6fbb600425447ef3f813d9278e00be https://musea-archive.univ-angers.fr/files/original/803e69e988b51b0912203102cd9d9501.jpg ba2e2a0c058e542785ce8b9c625e9c05 https://musea-archive.univ-angers.fr/files/original/cf108fefc8393a959e4eaae0fdd00b05.jpg 8c9c559c97011a12f0ffbb19e589ba91 https://musea-archive.univ-angers.fr/files/original/f8dbbc17e56bc070759a8190d8a58300.jpg 7d8c8e970b667d81db122e06d06835a9 https://musea-archive.univ-angers.fr/files/original/bbebc5e8285f2556ec7fd81e6152e10a.jpg 3a4328bda4e768c2dce3ab00d09cbbc9 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 29 X 21 cm Location The location of the interview Ministère des Affaires étrangères, Paris Transcription1 [page 1] Récupération artistique en zone soviétique. Visite à Karlshorst le 18 mai 1949 En compagnie de Monsieur Barillot, Chef du Service français des Restitutions en zone soviétique, du Capitaine Verneau et de Mr. De Vojod, interprète de Russe, nous avons été reçu par le Colonel Ovtschimnikow qui dirige la Division Réparations & Restitutions en zone soviétique, par Mr. Neditech, Chef des Services Restitutions & Réparations soviétiques dans les zones alliées et par les Capitaines Ignatiew et Olendar appartenant à la même organisation. Mon intention en allant à Karlshorst était de demander aux Soviétiques la restitution des différentes œuvres d'art que nous leur avions signalées comme étant d'origine française. Tous ces objets d'art avaient été nettement situés par nos recherches, soit à Berlin, soit en zone soviétique et les adresses de localisation étaient portées sur les « Claims » officiels adressés à Karlshorst. I. Affaire des œuvres d'art de la Reichsbank Mes premières questions portèrent sur les œuvres d'art enlevées de France par le Dr. Funk, ancien président de la Reichsbank. Il s'agissait d'une centaine de pièces importantes, statues, peintures, meubles, tapisseries, argenteries, qui avaient été mises à l'abri dans les caves blindées de cet important immeuble construit par Hitler dans la Kurstrabe et qui est devenu actuellement le siège du Stadtkontor, établissement financier sous Contrôle soviétique. Un interrogatoire du Dr. Fuhl, directeur de la Reichsbank, m'avait apporté la confirmation que jusqu'à la bataille de Berlin les œuvres d'art étaient intactes et avaient été mises en sécurité dans les caves blindées de ce bâtiment. [page 2] D’après lui le pillage de ces chambres fortes, d’un système de sécurité, très moderne, était aussi impossible que leur destruction par bombardements. Au cours d’une visite que je fis, il y a quelques mois, au Stadtkontor pour essayer d’obtenir l’autorisation de pénétrer jusqu’à des dépôts souterrains, je fus reçue par un officier soviétique qui, pris au dépourvu par mes questions, n’opposa aucun démenti. Au cours de la même entrevue, je constatai qu’il y avait sur le mur de son bureau, derrière son fauteuil, une des tapisseries que nous réclamions. Ce fut sans doute pour cette raison qu’il admit avec une certaine gène, mais très nettement, qu’il devait encore rester des tapisseries françaises dans cet immeuble. Seule réponse précise qui me fut faite d’ailleurs. Malgré ces différentes certitudes que nous possédions sur la main mise des Soviétiques sur les œuvres d’art que nous recherchions à la Reichsbank, il nous fut répondu par Mr. Ignatiew à notre entretien du 18 mai, qu’en dépit des nombreuses recherches faites par son service, aucun des objets que nous réclamions n’avaient été retrouvés. Que les caves avaient été atteintes par les bombardements (ce qui est absolument inexact, les caves sont intactes) et que les fouilles entreprises dans les décombres avaient été très difficiles et n’avaient données aucun résultat. Cette dernière excuse, inventée pour les besoins de leur cause montre la détermination des Soviétique de ne rien nous restituer de cet ensemble de grande valeur. Nous croyons savoir d’ailleurs que la plupart des objets précieux trouvés par les Russes à la Reichsbank ont été transportés à Karlshorst il y a quelques temps déjà et nous pouvons supposer que ce transport n’était qu’une première étape avant la Russie, où à l’heure actuelle doivent se trouver la plupart des œuvres d’art emportées de France par le Dr. Funk. [page 3] II. œuvres d'art de Göring à Karinhall Dans la conversation qui suivit notre première explication les Soviétiques parlèrent avec éloquence de la difficulté de retrouver les œuvres d'art spoliées dans leur pays ; ils me demandèrent de les aider à récupérer ce qui avait été pris chez eux et chez nous. Bien entendu, je leur répondis que je ferai de mon mieux. Je profitai de cette proposition pour leur dire que je me rendrai volontiers à Karinhall où je pourrai les aider en leur désignant les œuvres d'art d'origine française qui s'y trouvaient encore. Le ton de la conversation changea aussitôt et le Colonel Ovtsonimnikow ne répondit simplement qu'il examinerait les nouveaux claims que nous lui adressions. Il s'agit de quelques pièces très lourdes et de valeur secondaire que nous n'avons pu évacuer précédemment par nos propres moyens. – Cette façon d'éluder notre collaboration quand elle parait devoir arriver à des restitutions effectives éclaire une fois de plus le désir soviétique de nous tenir à l'écart de ces recherches et de ces restitutions d'œuvres d'art dans leur zone. III. Statues de Rodin prises en France par Breker et par Hitler J'attendais surtout de ces conversations de Karlshorst un éclaircissement sur le sort des statues de Rodin que nous savions depuis plusieurs mois emportées par les Soviétiques à Moscou. On se souvient de cette affaire qui a fait l'objet d'un rapport confidentiel. Ne pouvant ramener directement ces deux statues, Le Penseur et L'homme qui marche dans le secteur français de Berlin je les avais fait transporter dans le dépôt d'œuvres d'art de Potsdam où dès leur arrivée elles avaient été signalées aux Soviétiques par les allemands responsables comme été propriétés françaises. Au même moment nous remettions aux Services du Colonel Ovtschimnikow un claim officiel réclamant leur restitution. [page 4] Après cette démarche j’avais pu savoir que par deux fois des officiers soviétiques du Service Restitutions étaient allés les voir au dépôt de Potsdam et qu’enfin ces statues avaient été expédiées clandestinement à Moscou. Nous attendions donc avec le plus grand intérêt les explications soviétiques. Voici ce qui nous fut répondus (sic) : Tout d’abord que notre réclamation ne pouvait être exacte, le Penseur de Rodin étant à Paris. Je confirmai qu’il y avait bien en effet une fonte de cette statue au Musée Rodin ; mais que deux autres fontes n’en étaient pas moins authentiques et que les bronzes de Potsdam étaient des originaux. Cette discussion esthétique terminée, M. Ignatiew repris la parole pour nous déclarer tout simplement que ces deux statues n’avaient pas été retrouvées. L’histoire que ces deux Rodin que nous avons suivi avec attention depuis le moment où ils ont été déclarés à Karlshorst jusqu’à leur départ en Russie, me parait avoir une valeur symbolique pour illustrer les intentions des Soviétiques en matière de Restitutions d’œuvres d’art et leur sens très particulier de la propriété. IV. Drapeaux emportés de France par Blücher Après la discussion sur les deux Rodin j’espérai que connaissant eux-même (sic) la vérité et pouvant supposer que nous la connaissions également (puisque les sanctions avaient été prises contre des allemands et des officiers soviétiques sous le prétexte qu’ils avaient renseignés les français sur la présence de ces statues à Potsdam ; ce qui était d’ailleurs inexact pour les coupables désignés), les Soviétiques seraient amenés céder sur la demande suivante qui est pour nous de la plus grande importance. Il s’agissait de récupérer quelques trois cents drapeaux que nous avions retrouvés le Colonel Druène et moi-même au cours de la mission que nous avions effectuée en zone soviétique au début de l’année 1946. [page 5] Là encore notre espoir s’est trouvé déçu et pourtant depuis le moment où ces trophées avaient été identifiés nous les avions réclamés constamment aux Soviétiques qui nous en avaient toujours promis la restitution. A notre demande renouvellée (sic) le 18 Mai, il nous fut répondu que le Capitaine Ignatiew, qui fut cependant présent à chacune des visites que je fis à Karlshorst où il fut régulièrement question de ces drapeaux. « Nous regrettons beaucoup, mais ces drapeaux n’ont pas été retrouvés ! » je m’étonnai et j’insistai en disant que nous les avions découverts nous-même à Weidmannsheil au cours d’un mission officielle. « C’est sans doute », nous fut il répondu, « parce que ces drapeaux ont été détruits depuis cette époque, comme tout ce qui appartenait aux différents Musées de l’Armée et pouvait rappeler aux allemands leur passé militaire. Cette destruction fut effectuée en vertu d’accords quadripartites pris au Conseil de Contrôle ! » Réponse tendancieuse qui montre tout d’abord la mauvaise volonté soviétique pour toute espèce de restitution à la France, même quand il s’agit d’objets sans valeur pour eux. D’autre part les décisions du Conseil de Contrôle, telles que les Russes, comme les autres alliées, doivent les connaître portaient sur la destruction d’objets militaires non soumis à restitution. Mais surtout cette réponse est inexacte car nous savons de source sure, que contrairement aux affirmations soviétiques, les drapeaux n’ont pas été détruits à Weidmannsheil et qu’ils ont été transférés dans [un] autre dépôt que nous connaissons, mais dont [nous] n’avons j’amais mentionné le nom au cours de cette conversation, en faisant semblant de croire et d’accepter les explications données. Notre seul espoir de rentrer un jour en possession de ces précieux souvenirs militaires et que nous arrivions à les enlever clandestinement. Ce sera difficile car ils se trouvent fort éloignés à l’intérieur de la zone. [page 6 ] V. Restitutions de tapisseries La suite de notre entretien avec les Soviétiques porta sur la réclamation des 18 tapisseries que j'ai retrouvées au début de cette année dans le Secteur soviétique de Berlin. Elles sont détenues par l'ancienne galerie d'art Quantmeyer & Eicke, devenue aujourd'hui propriété du peuple. Les Soviétiques ont été alertés depuis plusieurs mois par un claim en demandant la restitution. En réponse à notre appel le Capitaine Ignatiew insista à nouveau sur la difficulté qu'il y aurait à retrouver et à reprendre ces Gobelins. Je lui rétorquais encore une fois que ces tapisseries étaient bien à l'adresse indiquée et que l'acheteur lui-même avait reconnu leur origine française. – Des recherches, finit-il par dire seront entreprises. Cependant malgré cette assurance verbale nous avons toutes raisons de craindre que ces dix huit tapisseries anciennes ne soient définitivement perdues. Notre expérience des procédés soviétiques en matière de restitutions artistiques nous fait déplorer que ces tapisseries aient été signalées aux Services de Karlshorst. A la suite du rapt des deux Rodin, notre intention était de ne plus leur faire connaître aucun localisation d'œuvres d'art ; mais par le jeu normal de nos services administratifs cette découverte fut communiquée par la Commission de Récupération artistique à l'office des Biens et Intérêts privés qui crut devoir les réclamer officiellement. Ce qui est tout à fait regrettable car nous perdons ainsi l'espoir de les récupérer d'aucune manière. Jusqu'à ce jour aucune restitution officielle ne nous a été consentie par les Soviétiques et nous nous sommes malheureusement aperçu que leur réclamer une œuvre d'art servait uniquement à éveiller leur intérêt et à la leur désigner comme de bonne prise. RValland [manuscrit] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rapport de Rose Valland en zone soviétique, page 1 (photocopie) (MAE/ARD/RA/carton 585 R 44) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1949-05 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 585 R44 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Texte Subject The topic of the resource Rapport Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Rapport de Rose Valland en zone soviétique, page 1 (photocopie) (MAE/ARD/RA/carton 585 R 44), Rose Valland, mai 1949, papier imprimé, 29 x 21 (cm), Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_G02 Rapport https://musea-archive.univ-angers.fr/files/original/602b885973e6d634f899fe9aec53e5b7.jpg b4f15576c2f8cc8b709de3b214823da0 https://musea-archive.univ-angers.fr/files/original/3afdf865d328204fc33e3e90c68be4a7.pdf ff2784b9eedbea0d5aecc5535a7d9011 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 29 X 21 cm Location The location of the interview Ministère des Affaires étrangères, Paris Transcription1 Le Chef de la Section des Beaux-Arts de Berlin à Monsieur le Directeur Général des Arts et des Lettres 53 rue St. Dominique Paris J’ai l’honneur de vous communiquer le rapport ci-joint. Vous pouvez deviner combien je regrette que les nouvelles qu’il vous apporte ne soient pas meilleures. R. Valland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lettre accompagnant le rapport de Rose Valland en zone soviétique (photocopie) (MAE/ARD/RA/carton 585 R44) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1949-05 Source A related resource from which the described resource is derived MAE/ARD/RA/carton 585 R44 Rights Information about rights held in and over the resource Ministère des Affaires étrangères, Paris Type The nature or genre of the resource Texte Subject The topic of the resource Lettre Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Lettre accompagnant le rapport de Rose Valland en zone soviétique (photocopie) (MAE/ARD/RA/carton 585 R44), Rose Valland, mai 1949, papier imprimé et encre, 29 x 21 (cm), Paris, Ministère des Affaires Etrangères, © Ministère des Affaires Etrangères. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_G01 Lettre https://musea-archive.univ-angers.fr/files/original/2e0ada0eb0458829e2578e0839914e96.jpg a41713377f5c35b26d8fd35cbf817669 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé Location The location of the interview Collection particulière Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Survival (couverture) Creator An entity primarily responsible for making the resource Rorimer, James Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Abelard Press Type The nature or genre of the resource Texte Subject The topic of the resource Ouvrage Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Survival (couverture), James Rorimer, 1950, papier imprimé, collection particulière, © Abelard Press. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_B01 Ouvrage https://musea-archive.univ-angers.fr/files/original/5c0a9a36541c97729b4a59d8955e7e99.jpg 230681f98d4dc09b4762475a5c6e5be0 https://musea-archive.univ-angers.fr/files/original/fad5a162a2887e72ab07be6f7f8c2015.jpg 9a90a4b708421704dd040c2bf4a427d5 https://musea-archive.univ-angers.fr/files/original/e76f65181c0191341fb2234d6b5ea0b2.pdf a383f7768574f6570c51e9399583d4c0 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Papier imprimé 27 X 21 cm Location The location of the interview Association « La mémoire de Rose Valland », Saint Etienne de Saint Geoirs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curriculum Vitae (photocopie) Creator An entity primarily responsible for making the resource Valland, Rose Date A point or period of time associated with an event in the lifecycle of the resource 1935 Rights Information about rights held in and over the resource Association « La mémoire de Rose Valland » Type The nature or genre of the resource Texte Subject The topic of the resource Curriculum Vitae Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Curriculum Vitae (photocopie), Rose Valland, 1935, papier imprimé, 27 x 21 (cm), Saint Etienne de Saint Geoirs, Association 'La Mémoire de Rose Valland', © Association 'La Mémoire de Rose Valland'. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_A01 Curriculum Vitae https://musea-archive.univ-angers.fr/files/original/4e20afa37c07f39bc09e3b44fe2647af.jpg 70b33ce0fa452c560bfab54b399cbb87 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Montage numérique 1000 X 1000 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oeuvres Musées Nationaux Récupération du Musée des Beaux-Arts d'Angers Creator An entity primarily responsible for making the resource MUSEA Date A point or period of time associated with an event in the lifecycle of the resource 2004 Rights Information about rights held in and over the resource MUSEA, Université d'Angers Type The nature or genre of the resource Image Subject The topic of the resource Photographie Format The file format, physical medium, or dimensions of the resource image/jpeg Abstract A summary of the resource. Oeuvres MNR du Musée des Beaux-Arts d'Angers, MUSEA, 2004, montage numérique, 1000 x 1000 (px), © MUSEA, Université d'Angers. Identifier An unambiguous reference to the resource within a given context MUSEA_EX05_L11