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&#13;
" Mon Révérend Père,&#13;
Je n’ai pas voulu venir vous importuner au milieu de votre retraite, c’est pour cela que je n’ai pas répondu immédiatement à votre bonne lettre. J'ai lu en effet, la note répondant à la notre, je suis abonnée à l’Argus, c’est vous dire que la Presse n’a pas de secrets pour moi.&#13;
Vous voulez mon avis personnel. Et bien, une fois de plus vous m’avez victorieusement montré que si la parole est d’argent, le silence est d’or. J’aurais ardemment désiré que nos Présidentes se taisent, j’avais connaissance de la note et j’ai dit très carrément que j’en désapprouvais la publicité. Je pensais que nous nous attirerions une riposte de Mme de B.(Brigode) et déjà tant de mal a été fait de part et d’autre par les diverses notes révélant nos divisions. (PAGE1) Laissez-moi vous féliciter de l'habileté de la réponse, c’est un coup de patte de velours d’abord où la griffe se révèle dans la fin par la signature de Mme R. A l’heure actuelle, c’est une puissance et annoncer publiquement son action commune avec Mme de B. est un acte de bonne guerre ; mais une botte de première force.&#13;
Oui, Mme de Saint Laurent et Mme de C.(Cuverville) savaient que Mme R. était unie à Mme de B., je le leur avais dit (sans vous nommer). J’ai été étonnée des lettres écrites par ces dames, je m’en suis réjouie, car il me semble que c’est un premier pas fait vers l’union.&#13;
Ne pourrions-nous pas devenir alliés au lieu d’être rivales, le champ de bataille est si vaste. Je rêve d’une immense armée de chrétiennes toutes unies contre l’ennemi commune. A Mme de B. la partie politique, la bonne Presse, les conférences, les manifestations. A nous, la partie religieuse, les écoles, les patronages et toutes les œuvres s’y rattachant et touchant à la Ligue anti-maçonnique. Je voudrais que nous soyons, absolument sœurs, que chaque année, une réunion ait lieu avec ces dames pour que nous puissions étudier les points de contact et les travaux où nos efforts devraient s’appuyer les uns sur les autres.&#13;
Voici bien simplement mon idée, elle ne vaut probablement pas, car je ne suis pas assez habile pour trouver quelque chose de bien. Il me semble que l’union nous rendrait fortes et que cette combinaison arrangerait toutes les questions de préséance et de personnalités auxquelles on tient tant.&#13;
Demandons au Bon Dieu de tout guider et le plus grand bien de la France.&#13;
Antoine [son fils, monarchiste] est dans les montagnes du Bugey chez son ami et je n’ai pas pu lui faire votre commission. J’ai prié pour lui et pour moi, afin que le Bon Dieu bénisse votre retraite. Ces jours de recueillement doivent être un tel bienfait.&#13;
Veuillez agréer, mon Révérend Père, l’assurance de mon religieux respect. (PAGE2)</text>
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                <text>Bibliothèque Marguerite Durand</text>
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                <text>La Vierge et l'Enfant Jésus (Musée des Beaux-Arts 1667 Dép., Musées Nationaux Récupération 251)</text>
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                <text>di Giovanni, Stefano (dit Sassetta)</text>
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                <text>Acheté à Rochlitz par Lohse pour Göring (archives : MAE carton 714 dossier 2, qui indique aussi les numéros Munich 3105 et 6425, l'un désignant le cadre, l'autre le panneau. En effet, un document de Coblence [BAK B 323 567] indique pour cette oeuvre le numéro 6425); sans doute le même tableau que celui cité dans l'interrogatoire Rochlitz (archives : MAE carton 149 A 101) : acquis 750 000 F en septembre 1941 ; collection Göring (inv. RM 116). Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Alger de 1952 à 1960 ; déposé à Angers en 1970." (extrait de la notice MNR 251 du catalogue des MNR )</text>
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                <text>Musée des Beaux-Arts 1667 Dép. Musées Nationaux Récupération 251</text>
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                <text>Musées d'Angers</text>
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                <text>La Vierge et l'Enfant Jésus (MBA 1667 Dép., MNR 251), Stefano di Giovanni (dit Sassetta) , 1450, tempera sur bois, 50 x 38 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>96 X 54 cm</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Musée des Beaux-Arts, Angers</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5704">
                <text>La Vierge, saint Jean-Baptiste et un ange adorant</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>15e siècle</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5707">
                <text>Acheté 65 000 F le 20 août 1941 par Bornheim, Munich, chez Landry, Paris, pour Göring [1] ; entré le 10 septembre 1941 dans la collection Göring à Kurfürst (sous attribution à Botticini, inv. RM 1054) ; enregistré au Central Collecting Point de Munich sous le n° 5107. Attribué au musée du Louvre par l'Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1970." (extrait de la notice MNR 244 du catalogue des MNR )</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="5709">
                <text>Musée des Beaux-Arts 1666 Dép., Musées Nationaux Récupération 244</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5711">
                <text>Musées d'Angers</text>
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              <elementText elementTextId="5712">
                <text>David, Pierre (photo)</text>
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            <name>Type</name>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5714">
                <text>Peinture</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
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          <element elementId="189">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="5716">
                <text>La Vierge, saint Jean-Baptiste et un ange adorant (MBA 1666 Dép., MNR 244), anonyme (Florence), 15e siècle, 96 x 54 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Vierge, saint Jean-Baptiste et un ange adorant (Musées des Beaux-Arts 1670 Dép., Musées Nationaux Récupération 252)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>15e siècle</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Acquis par Haberstock chez Meller, Paris, en 1940 et revendu 23 000 RM le 23 novembre 1940 au musée de Linz (n° 1604) (archives : MAE carton 413 P 59 et BAK B 323 567) ; enregistré au Central Collecting Point de Munich sous le n° 4412. Attribué au musée du Louvre par l’Office des Biens et Intérêts Privés en 1950 ; déposé à Angers en 1969." (extrait de la notice MNR 252 du catalogue des MNR)</text>
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                <text>Musée des Beaux-Arts 1670 Dép. Musées Nationaux Récupération 252</text>
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                <text>La Vierge, saint Jean-Baptiste et un ange adorant (MBA 1670 Dép., MNR 252), anonyme (Florence), 15e siècle, 70 x 53 (cm), Angers, Musée des Beaux-Arts, © Musées d’Angers, photo Pierre David. </text>
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                <text>La volontaire, officier dans l’armée régulière, In Paul et Henry de Trailles, Les femmes de France pendant la guerre et les deux sièges de Paris (Paris, Polo éditeur, p. 26)</text>
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                <text>La volontaire, officier dans l’armée régulière, In Paul et Henry de Trailles, Les femmes de France pendant la guerre et les deux sièges de Paris (Paris, Polo éditeur, p. 26), anonyme, 1872, papier imprimé, © collection particulière.</text>
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                <text>Laissez-passer d’Hélène M. autorisant la FOEFI à la convoyer jusqu’à Paris, via Saigon, 29 avril 1963</text>
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                <text>collection Hélène M.-S</text>
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                <text>Droits réservés</text>
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                <text>Le 8 mars journée historique du Mouvement International des femmes. Le Planning Familial d'Angers invite toutes les femmes à son spectacle forum (cote FEM 124)</text>
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                <text>Mouvement Français pour le Planning Familial</text>
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                <text>Le 8 mars journée historique du Mouvement International des femmes. Le Planning Familial d'Angers invite toutes les femmes à son spectacle forum (cote FEM 124), Planning Familial Angers, 1990, affiche, 21x29,7 (cm), Paris, Centre de Documentation du MFPF, © MFPF.</text>
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              <text>Bibliothèque Marguerite Durand, Paris</text>
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                <text>Le capitaine d’habillement, dans L’Assiette au beurre, n° 375 (p. 173)</text>
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                <text>Bibliothèque Marguerite Durand</text>
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                <text>Le capitaine d’habillement, dans L’Assiette au beurre, n° 375 (p. 173), Jules Grandjouan, juin 1908, papier imprimé, Paris, Bibliothèque Marguerite Durand, © BMD.</text>
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